Howard Bassem (
iselldrugstothecommunity) wrote in
thearena2013-08-10 11:46 pm
Entry tags:
Everybody Dies [Closed]
Who| Howard, Alpha, R, Julie, John Watson, Tim Drake-Wayne (?)
What| Howard's last days in the Arena.
Where| Both Arenas.
When| Last few weeks.
Warnings| Zombification and gore in the thread with R and Julie.
He doesn't tell Diana where he's going. She'd laugh at him if he did, or worse, she'd believe him. I'm off to hunt down the man who tried to kill me, and then I'm going to kill him. At this point he's not certain what he is in her head, the scrawny kid who sold drugs and ran from gunfire or the killer who burned people alive, and he's also not sure why he cares.
When Diana wakes up, hair full of sticky pieces of candy, Howard just tells her he'll be back in a few hours and heads off, letting the smell of sugar and the pinkish yellow sun envelop him. He imagines walking into, and through, a horizon. One hand is at his knife, and the other over his rainbow-colored bag filled with explosives. He finds high ground and he watches for his target.
Eventually, he sees a flash of blonde hair. And he slides down the gingerbread hill, teeth gritted, eye that isn't behind the eyepatch narrowed.
Last Week
He spends more time in the tunnels. The bear traps he's dug up guard the entrances. He generally prefers the sandy, rocky side, including the little mine tracks that lead up to the end, because at least it's a nice break from the monotony of candyland. He sleeps with his knife close, his throwing stars in his pocket, some broken arrow tips tucked into his belt loops. His clothing is tattered to ribbons at the sleeves and ankles.
He told Wyatt he'd win. He promised.
He and Diana cross each other's paths less now. They spend more and more time scavenging for food as it becomes scarcer and scarcer. Soon the watering hole dries up, and most of the day is spent looking for alternate sources. They've dug a little gutter at the top of the cave, but no rain comes to fill it.
He plans on waiting out the last week.
What| Howard's last days in the Arena.
Where| Both Arenas.
When| Last few weeks.
Warnings| Zombification and gore in the thread with R and Julie.
He doesn't tell Diana where he's going. She'd laugh at him if he did, or worse, she'd believe him. I'm off to hunt down the man who tried to kill me, and then I'm going to kill him. At this point he's not certain what he is in her head, the scrawny kid who sold drugs and ran from gunfire or the killer who burned people alive, and he's also not sure why he cares.
When Diana wakes up, hair full of sticky pieces of candy, Howard just tells her he'll be back in a few hours and heads off, letting the smell of sugar and the pinkish yellow sun envelop him. He imagines walking into, and through, a horizon. One hand is at his knife, and the other over his rainbow-colored bag filled with explosives. He finds high ground and he watches for his target.
Eventually, he sees a flash of blonde hair. And he slides down the gingerbread hill, teeth gritted, eye that isn't behind the eyepatch narrowed.
Last Week
He spends more time in the tunnels. The bear traps he's dug up guard the entrances. He generally prefers the sandy, rocky side, including the little mine tracks that lead up to the end, because at least it's a nice break from the monotony of candyland. He sleeps with his knife close, his throwing stars in his pocket, some broken arrow tips tucked into his belt loops. His clothing is tattered to ribbons at the sleeves and ankles.
He told Wyatt he'd win. He promised.
He and Diana cross each other's paths less now. They spend more and more time scavenging for food as it becomes scarcer and scarcer. Soon the watering hole dries up, and most of the day is spent looking for alternate sources. They've dug a little gutter at the top of the cave, but no rain comes to fill it.
He plans on waiting out the last week.

Alpha
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He hears footsteps before he can see the figure clearly enough out of the corner of his eye, smiles, but doesn't stop or turn, let's Howard make the first move. He's curious if Howard's going to try and extend their farce of an alliance or if he's going to try and take a shot while Alpha's back is ostensibly turned.
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He keeps his voice purposefully neutral, and his hands away from his pockets. Given that he usually has them tucked away, it might almost be too casual, too trusting a gesture.
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He notes the casual stance with less interest. He feels secure in his control over Howard, even more secure in his ability to take Howard down if it becomes necessary. Confidence has never been a struggle for Alpha.
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He slips down a little closer. The lighter and the bombs in his pocket feel heavy, but this isn't like lighting Neffa and Jay up. He's giving Alpha an out, he feels - and if not, this is only self-defense.
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firebombing and then stabbing Alpha work for you?
sounds perfect!
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John
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The last time he'd been here there had been grates and grilles, no access through the tunnels- but now they were gone, and sweet, tantalising smells wafted through, beckoning. He stumbled forwards, stomach practically turning itself inside out with hunger, the darkness of the tunnel after the blinding light of the desert almost giving him a headache. He couldn't see a thing, his vision struggling to correct for the contrast in light levels, and he certainly couldn't see the cruel bear trap lying in wait for unsuspecting Tributes.
He stepped right onto the trigger.
Steel jaws sprang shut, teeth piercing his leg. He cried out, sharply, pulse spiking as he tried to kick whatever it was off him and failed- it took a few more moments to process what had happened. Desperately, he crouched and tried to yank the trap open- but the hinge was strong and his limbs were weak from days of little food and water. Nothing he had in the makeshift pack on his back would help him, here- or would it?
Wincing and hissing breaths between his teeth he rifled through his meagre provisions, hoping to find something he could use to lever the trap open or dismantle it. The pain was intense, but his will to survive was stronger.
So far.
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He stops when he sees something laying in the tunnel. Something big, not an animal. Something that appears to have clothing. For a long time, Howard just stays very still, listening and watching the lump, wondering if it's alive or dead.
If he or she is alive or dead, he thinks. Not 'it'. 'It' is for animals.
He clutches his knife close, his lighter in his other hand, ready to light the tunnel up and escape if he has to. "Hello?"
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"Don't," he bit out, a wet, pained edge to the word despite its dangerous tone. He might be trapped, but he wasn't going to go out without a fight. "Don't come any closer."
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There's a depth of horror to Howard's voice that's like a cave. He hadn't considered - for all his contingency plans, for all his preparation, it never occurred to him that his traps could catch prey he didn't want. He rushes over to John's side, not bothering with the warning, not worried about the other traps in the tunnel, completely disregarding the warning.
"John, John, don't move!"
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"Howard," he warned, his voice nowhere near as strong and calm as he'd hoped it would sound. He tried again. "Howard, my leg's- there's a trap. Might be more, watch where you step..."
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Tim
R, then Julie
Re: R, then Julie
Now it's all he can think about. What do you call it when it feels like you can't breathe but you're already Dead?
Did he tell Julie where he's going? R stands there at the lip of some cave as he inhales, a dark blur in front of him instead of the burning hot sand. Cooler air fills his shriveled lungs, his teeth exposed to the air since his lips peeled back into leather and they got stuck like that. After meeting Julie again, you better believe he's been careful to avoid any repeats with her - one bite and it's over. Find another Tribute., he told himself. Anyone else. It's a big desert out there. Anyone and anything non-Julie should be fair game.
The person in here is fair game. R can smell Life in here, scared, tired, sweating Life. Soft breathing. A pulse. Staggering in, he follows the trail of it, his foot steps rasping quietly as they go from sand to rock. His mouth hangs open, face slack, as he focuses on whoever's in here with him. Get back to Julie after this. Groan to her that he's good, he's okay, she doesn't have to worry about him. Seems easy put like that.
R can hardly believe his luck when he finally stumbles upon the other Tribute. The breathing is the quiet, steady kind of someone he's caught asleep. He doesn't waste any time waffling: R attacks, his desperate groan echoing in the dark.
Re: R, then Julie
Usually, he's too afraid to sleep, but there's a certain relief that comes with abject necessity in the Arena. When it comes to the real danger not being the ones his subconscious conjures but the ones that are actually trying to kill him, the dread of dreaming becomes an afterthought, and while he rests lightly he can stay still and silent for long stretches of time. At the very peak of his cycle he twitches, makes noise. His fingers jerk slightly, as if little bits of electricity are working their way out of his head and down his nervous system. Strange whimpers, divorced from language, emerge from his throat like mice from underneath a floorboard, tentative, hurried.
And is his dream, Aunamee is on top of him again, one hand against his shoulder, the other holding a knife high. Droplets of blood are cast off the blade onto the snow, only it's not snow, it's the blank white void of death, and it's rising around him like water in a gutter, up over his nose, in his mouth and nostrils so he can't scream. He knows what comes next, the knife to the chest, and even knowledge doesn't let him brace for it.
But the knife doesn't come for his chest. It comes for his neck, and it's not a dream but teeth sinking into his throat.
Howard's not even awake when he slams his leg out into R's midsection, when he gives a yelp strangled by the way he can't breath for the the zombie trying to take a chunk out of the section between his neck and shoulder. He's awake but not aware when he brings the knife from his pocket and makes a slash at the figure he's forcing back with every bit of strength his flailing limbs can manage.
But he is aware when he gets a few feet of distance between himself and R, and he presses against the wall, a sob in his throat and his hand against the bloody mess that is his neck, his face twisted into the right side of a tragicomic mask.
Re: R, then Julie
R steps on jerky that used to be his guts. There's only a slight give before it snaps free, his boot skids, and he lunges forward after Food. Getting disemboweled isn't even a speedbump.
If he eats more, he'll feel that pulse bleed into him. Seep down like water through the sand. Pretend for a moment he's got soft warm skin and blue (green? Maybe brown: he likes brown) eyes. Breath that isn't stale and cold. What it's like to really feel.
The problem is it's dark and confined in here and R doesn't know his way. He's relying on sound and smell only, R thinking he's close enough to the sob to throw himself at it.
"Rrgh!" he moans, hands clawing into the darkness.
Re: R, then Julie
"R, R, stop, it's me, it's-" He can breathe, he tells himself. He can talk. He presses back against the wall, feeling a waft of R's smell cut through the copper of blood in the air. R's fingers clip his nose, and Howard gets a good impression of how dry they are, like chalk and paper, while his body goes through an instinctual motion he doesn't even think through. The knife comes up again, and he jabs at the silhouette of shaggy hair in the dark; the blade gets stuck like a tack in a corkboard, and there's no blood, just a thunk! of metal driving through cheekbone. Howard brings his foot up again and slams it against R's pelvis, pushing him back. Distance, distance. It's the only way to protect himself.
He starts edging along the wall of the cave sideways, steadying himself from a sudden wave of dizziness with his hand. He picks his way over where he knows the jaws of the steel traps are, the ones that killed John not so long ago. He feels as if the memory, as if the idea of what he's doing now, forces the blood to run faster, like tears or puke. He's leading another friend into a trap.
Because that's what R is, a friend. The crater gushing blood in Howard's neck doesn't change any of that. Hunger makes people do horrible things, and Howard never demanded loyalty when anyone's stomach was concerned. He knows better. He slides in his own blood and topples to the floor, cracking his head against the rock wall, sucking air in through his nose. The traps lay a fairy ring around him, a moat between him and the monster.
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A knife slams into his face out of the dark. The blade punches through his cheek and out the other side. It doesn't hurt, but the jolt sends him careening to the side and it's enough to forget what fragile thread he'd had starting to form in his mind. Food! There! snaps into place. Go!
The hunger drives him forward. R can't help it. It gets him back to his feet, his tongue barely attached - so much for talking - another wheeze forcing its way out of his dusty lungs. The blood sparks in his mouth, cooling fast until he gets another bite in. Another bite. That's what drives him forward, R staggering his way through the dark with his useless eyes staring forward, his hands up and clawing, groping around for the walls, a body. Scrambling footsteps ahead, uneven, but not that shuffle-drag of another zombie. The pitiful sound of weak breathing. The trail of blood on the floor snaps and dances across his corpse as he trails after it.
R blunders into the first bear trap.
It snaps shut around his calf with a deafening clang. It takes R a second to realize he's suddenly face down on the floor, his teeth clamped down on something that's what, his tongue? Spitting it out, R struggles up. Something rips. Black ooze drools out his leg as he tears it free at the calf, tibia and fibula brittle from long desert days and nights. He gets a few more feet crawling on his stomach toward the breathing before he hits the next one chest-first.
"Guh," R moans. In retrospect it was a bad idea to chew his tongue off - now he couldn't even groan properly. "Ggh..."
Only a few feet away he could hear that breathing, shallow and gasping. A weak pulse that fluttered those last few feet he couldn't cover, no thanks to the bear traps, R moaning again sadly and trying to drag himself free. It rattles with its teeth sunk in deep into his rib cage, pinning him to the cave floor.
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gore all up ins
Re: gore all up ins
Diana
Re: Diana
She knows Howards out. She hopes he comes back. Why? She's not sure. So she's not alone? So she doesn't feel like the worst human being in the current area? So someone else can call her the names she keeps in her own head?
The crossbow rests against her leg as she runs the fingertip up and down in a focus induced trace.
She thinks about Howard. About the games. About the Capital. About the fire. About the killing. The FAYZ. Caine. The baby... Panda...
Diana barely winces as her nail, which she didn't realize she'd begun picking at her scab with, catches and allows the skin to form the smallest pearl of blood. Frowning, she returns to stroking the area instead, rubbing the redness into the dirt coated arm until it's no longer visible.
Re: Diana
There's no other sound quite like a corpse dragging itself up a hill. It's at once fleshy and dry, a rough tone like burlap with the occasional squelch of coagulating blood dripping from his knees and palms, which have been skinned all the way through by the rough terrain. The blood is bracky, almost chunky, like syrup that's been left out too long, and has the appearance of motor oil.
He smells Living, and so he heads for it. His mouth hangs slightly open, dry tongue poking around his teeth as if trying to taste a meal that isn't there yet. His hunger is excitable, and is capable of fantasizing even only hours after Howard's eaten the remnants of R and Julie. There's still a clump of blonde hair dangling from his mouth, like an ersatz Christmas ornament from a tree.
His hand, stiff and clumsy, reaches over the lip of the cave as he starts to haul his way in.
Re: Diana
Tilting her head to peer over the top of the rock formation, she see's the figure pulling itself in the cave. Luckily she's been sat in here all day so her eyes have no trouble picking things out. She squints, recognizing the shape of Howard. But that's the only part she recognizes.
Her stomach drops and she feels her hands go weak and shake as though the blood and energy has fled from them.
She's caught between fear and anger. Stupid Howard. She knew he'd leave her by herself like this. She can't do this. Not alone. And now her lifeline is after her.
Re: Diana
"Stay..." he wheezes, "there." He doesn't want to go to so much effort for such a meager prize. There's no recognition in his face, no trace of their former alliance. It's all gone.
Re: Diana
She's shaking. Rooted by some force she doesn't even have a name for at this moment. She's so busy trying to think that she can't think.
It's when her eyes meet those of a stranger that her feet suddenly seem to hit the ground again. She sucks in some air, unaware that she'd stopped breathing for a brief moment.
Her hand curls around one of the looser rocks. "Make me."
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