Howard Bassem (
iselldrugstothecommunity) wrote in
thearena2013-04-03 07:49 pm
Entry tags:
You Should Have Never Trusted Disneyland
WHO| Howard and anyone
WHAT| Howard gets back on his feet
WHEN| Late third week
WHERE| Frontierland and Tomorrowland
WARNINGS| Howard's pretty damaged and I'll describe some of his injuries in detail during tags.
Wyatt did a good job with Howard, and the medicine from the Capitol is top-knotch. In addition, Howard's always been somewhat resilient. It takes him a few days, mostly spent sleeping in the scaffolding of Thunder Mountain under Wyatt's watchful eyes and eating the few rats he can get in traps, but soon enough he's moving about again.
Protein's all well and good, but he and Wyatt will need something else before long. He remembers there are orchards around Tomorrowland, so as soon as he can walk again on his injured leg he decides to set out that way, under the cover of night. The dark scares him, but no more than the day. At least at night he can blend in and not be a blaring target.
He's discarded his white district outfit and replaced it with some of the tattered, moth-eaten souvenir clothing from one of the shops - an oversized black t-shirt of Scar from The Lion King, a pair of jeans with the Mickey head sown into the back pockets, and a big grey sweatshirt with the castle emblazoned on the front. It all highlights how very small he is, as if his body hasn't even made the slightest effort to fill out the clothing. He's sheared the leg off the jeans up above his injury on his lower thigh - while he isn't happy to be displaying a weakness, he needs quick access to it to clean it whenever he finds fresh water.
The worst of the cuts along his torso are hidden by the clothing, but his face is still a horrible mess, with some of the bitemarks scabbing and oozing periodically. The hole in his cheek and split from his mouth to his chin makes it hard to eat, and has left him with a stiffness in his neck. His head cants to the left whenever he's not thoughtfully trying to keep it straight.
The new folding knife never leaves his hand. Never.
It feels all wrong to go through Disneyland like this. He doesn't walk like a tourist or a kid. Instead he darts from shadow to shadow, perpetually glancing over his shoulder and doubling back in case anyone's following him. It takes well over an hour to get to Tomorrowland.
If he were a religious kid he'd offer a prayer of thanks to whatever god when he finds a patch of blackberries and tomatoes. He starts to fill the pockets of his sweater, then a lunchbox he looted from a souvenir shop, and then he lays out flat the cape he got at the start, throwing all the fruits he can gather onto it regardless of ripeness. He gathers it all into a makeshift sack, slings it over his back and starts the arduous journey back to Thunder Mountain.
WHAT| Howard gets back on his feet
WHEN| Late third week
WHERE| Frontierland and Tomorrowland
WARNINGS| Howard's pretty damaged and I'll describe some of his injuries in detail during tags.
Wyatt did a good job with Howard, and the medicine from the Capitol is top-knotch. In addition, Howard's always been somewhat resilient. It takes him a few days, mostly spent sleeping in the scaffolding of Thunder Mountain under Wyatt's watchful eyes and eating the few rats he can get in traps, but soon enough he's moving about again.
Protein's all well and good, but he and Wyatt will need something else before long. He remembers there are orchards around Tomorrowland, so as soon as he can walk again on his injured leg he decides to set out that way, under the cover of night. The dark scares him, but no more than the day. At least at night he can blend in and not be a blaring target.
He's discarded his white district outfit and replaced it with some of the tattered, moth-eaten souvenir clothing from one of the shops - an oversized black t-shirt of Scar from The Lion King, a pair of jeans with the Mickey head sown into the back pockets, and a big grey sweatshirt with the castle emblazoned on the front. It all highlights how very small he is, as if his body hasn't even made the slightest effort to fill out the clothing. He's sheared the leg off the jeans up above his injury on his lower thigh - while he isn't happy to be displaying a weakness, he needs quick access to it to clean it whenever he finds fresh water.
The worst of the cuts along his torso are hidden by the clothing, but his face is still a horrible mess, with some of the bitemarks scabbing and oozing periodically. The hole in his cheek and split from his mouth to his chin makes it hard to eat, and has left him with a stiffness in his neck. His head cants to the left whenever he's not thoughtfully trying to keep it straight.
The new folding knife never leaves his hand. Never.
It feels all wrong to go through Disneyland like this. He doesn't walk like a tourist or a kid. Instead he darts from shadow to shadow, perpetually glancing over his shoulder and doubling back in case anyone's following him. It takes well over an hour to get to Tomorrowland.
If he were a religious kid he'd offer a prayer of thanks to whatever god when he finds a patch of blackberries and tomatoes. He starts to fill the pockets of his sweater, then a lunchbox he looted from a souvenir shop, and then he lays out flat the cape he got at the start, throwing all the fruits he can gather onto it regardless of ripeness. He gathers it all into a makeshift sack, slings it over his back and starts the arduous journey back to Thunder Mountain.

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It’s R’s attempt at an apology. Something that might keep Howard from bolting the moment he sees him squeezed in his hideaway.
After cleaning up the gore from eating that Tribute, R tries to straighten his clothes and fix himself up. He runs a hand through his hair, checks his eye (it’s still in: cool), even dunks his face for a second into the swamp and swishes the water before spitting it out. R feels squeaky clean. There’s not much he can do about the big dark stain all over his chest, but at least it’s not splashed all over his face. He empties his pockets and makes sure he didn't stash any leftovers in there. Anything he finds, R hurriedly stuffs into his mouth. The next thing he needs to do is harder than killing that Tribute - he needs to man up to Howard. R wants to look as non-threatening as possible.
Having chunks of his last meal falling out of his pockets won't help.
R picks up the cat on the way, stalking it down until it’s too tired to get away when he grabs it by the scruff of its scrawny neck. It gets a second wind by the time he makes it to Thunder Mountain. By the time he labors to where he sat with Howard, it’s hissing and clawing again. R’s just happy he resists the urge to kill it on the spot. He’s also proud he remembers to shuffle carefully over the bridge. This time he doesn’t fall through.
By the time Howard gets back, the zombie is jammed into an awkward squat, looking too big for the little space, holding onto a feral cat in his lap that lays back its ears flat against its skull and hisses. R’s head rests bent to the side, looking at nothing in particular as he drifts and waits. It’s the sound of footsteps against the fake stone that makes him look up.
“How…ward?” R moans tentatively. “Wuh…wait. Please? Talk.”
R starts to lurch to his feet and nearly brains himself against the low overhang. He remembers he jammed himself into here for a reason and settles back down, staring up at Howard. How long as it been, exactly? R thinks it might’ve been a week, two weeks, but he can’t remember. What he does know is that time hasn’t been good for his friend. Howard looks so beat and chewed up that if it wasn’t for that Living smell wafting off him, R would’ve mistaken him for a zombie himself. What happened to him?
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So he gets up the rail and into the tunnel and dumps his bag of fruit and lunchbox on the ground before he realizes who he's sharing space with. The white cape full of food is stained now from where tomatoes and blackberries burst and leaked, staining it bloody colors that look more sinister than their source, especially in the dim light of evening. He takes a moment to try and press flat the bandage on his chin, which is peeling away. Sweating from running back and forth has loosened the adhesive side.
And then he realizes that the frame of the body lurching to its feet isn't Wyatt, and the voice calling to him is certainly not Wyatt.
"You?!"
He's so startled he takes a step back onto the rigged bridge - and his foot plummets right through with a crack. He yelps and grabs the rail before he falls through entirely, landing on the tyre with his back, but he knows it'll take a few minutes to extract himself unaided, and until then he's completely at R's mercy.
Thankfully, being trapped here gives R enough time to finish his schpiel. His schpiel with pleases, that would sound like an apology if Howard's head weren't filled with images of being eaten by a pack of hungry zombies. R's slow grunts and wheezes are punctuated by the screaming of a cat that seems to come from right here in the tunnel.
"Shit, shit, oh my god, oh my god..." He swallows - a piece of bandage that's come loose gets stuck on his upper lip - and tries to lift himself from the awkward position. "Where's your friend, huh? She lying in wait too? You guys gonna split me down the middle, crack the wishbone with my sternum or something?"
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R uses the time to extracts himself from the alcove, almost letting go of the cat before remembering he’s supposed to hold onto it. He drags the cat by its scruff after him, oblivious to the yowls as he lurches out. There’s a steady stream of “shits” and “oh shits” bubbling out from Howard’s direction, R wincing when he gets past that and starts getting to the real meat of the problem. Of course Howard’s scared. R tells himself it’s make sense, he’d been on the verge of eating him, after all. The only thing that saved him was he was quick and knew the lay of the land way better than Karis. It still aches, though. His dislocated shoulder twitches, like he wants to bend down and help Howard. Instead R only slouches there, watching as the human struggles to lever himself back up.
Probably better he keep his distance. Between the horrified look on Howard’s face and the cat trying to make a getaway, R should keep his hands where they are.
R’s head lolls. “She’s…gone. It’s…just me.”
The sucky thing is Howard is dead on the mark. If she had been there, that’s totally how it would’ve gone down. A split with guts flying, blood splashing and R scooping Howard’s still-warm brains out. It’s just luck they ran into Beck before this. R thinks he could point that out. Somehow he doubts that would put Howard at ease. The best thing to do, he thinks, is try to steer the conversation away from Karis. She’s not here and anyway, it’s on him. He should learn to say no. Stand up for himself. Put that way ahead of “stand up better overall” on his priority checklist.
“Wanted…to talk,” R gasps. He gears himself for the longest thing he’d said since…uh, forever, he guesses. He’s not sure. With that Tribute he ate humming in his dry veins and stiff muscles, the words seem like they should come easier. It’s not that wall between him and the world this time. It’s because R really has no idea what to say. He claws forward anyway. “I’m sorry. I don’t…want to…hgh…hurt you. You’re…good. A friend. I…should be…good like…you. Not thing like…me. Want to be…better?”
The cat chooses then to let out an ear-splitting scream. It tries to claw its way up his arm, raking long black furrows in his skin.
“Am I…making sense?”
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And he listens to R's little speech. The whole thing, even though it takes a while, as all things R says do. Maybe it's because he was friends with Orc, and he doesn't notice as much as other people when someone takes a long time to say something. Maybe it's because he just doesn't have it in him to run. He probably could outpace R, even injured, but instead he just stays there on the track, his leg dangling through, propped up on his arms with a slight wind chilling the small spot of blood on his back.
"I'm not good...fucking idiot..." It's unclear whether or not he's insulting R or himself.
He thinks about how he should have seen this coming. He looks at R and sees the future, if only because he knows the past. Howard has a long and varied history of getting close to people only to have it blow up in his face. The last string of betrayals stretches out behind him, and he reaches a hand up to touch his own face, expression crumpling up as if he's holding back tears. Eponine bit his face part off. Alpha tried to kill him. Aunamee stabbed him to death and Orc broke his nose and his parents left him.
Howards are there to be used until they're discarded. Like resources. Like anything else. Like people, in general. It's really just something he should resign himself to.
Howard supposes he makes for a good meat shield, or a good extra set of eyes, or a good pack mule to courier things around. He makes for a below-average bodyguard, an awful motivational speaker and a semi-decent morality pet. He can provide body heat, traps, world knowledge. Companionship.
He guesses it's not so bad to be used for companionship. He doesn't like the idea of getting broken down for parts and eaten at the end, but...
"Fine, just, whatever." The flight response drains out of him and he looks at R with a tortured expression. At R's wonky eye, rolling slightly off-track. He takes a deep breath, looks at the cat, pushes himself up entirely. He doesn't believe R won't eat him, but at the moment he can no longer find it in him to care.
His stance is unsteady and he nearly collapses when he gets back into the tunnel, massaging the shin of the leg that fell through the plank and feeling that damn spear wound that's made getting around so awful. He looks up at R and shakes his head, tone very serious. "Don't call yourself a 'thing', okay?"
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Howard’s progress back to the tunnel is almost zombie slow – it’s definitely zombie unsteady, like he’s walking drunk – and R has more than enough time to start whipping up words. The scent of new blood makes him glad he ate already. The hunger starts to sit up, forming a picture of Howard lying at his feet until he beats it back with a mental crowbar. It’s not a headshot. It’s enough to make the hunger go back to simmering under the surface. R stands over Howard with the cat in hand, the cat trying to take a shot at Howard almost out of principle. R jerks his shoulders in a shrug.
“Not...the point?” R hates it comes out as a question. Half the time it sounds like he’s asking, not telling. “We…can have this…philo-phil…other talk…later...?”
R does sigh this time, the sound coming out as a wheeze from his stabbed chest. He didn’t come here to argue about who – or what – counts as a person or a thing with Howard. He’s here because even he knows this is the right thing to do. After years of killing people, R tells himself that he could start doing the right thing more often and that starts with trying to make it up to Howard. R awkwardly starts the process of stooping down a safe distance from the human, folding his corpse down and down and finding that doing it with a live cat in hand makes it a lot harder than it should be. There. Now he isn’t looming over Howard. R strikes that off the checklist. The next part is trying to coax the guy away from looking like he’s going to curl up into a fetal position and cry. This one might be harder.
The zombie tightens his hold on the cat he drags into his lap. Instead of purring, it makes an angry warning noise in its chest. “My…point. I…should be…better friend. I’ll help you. Make…it up? Show you.”
R stares across the few feet at Howard, taking in what looks like bandaged bites on his face. There are signs of infection but they don’t match what should happen when something like him is involved. It’s not a Dead’s bite. R wants to ask who did this, as if he could shuffle off and start his apology by returning the favor with a few bites of his own. Now he’s not being good.
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"Is that why you bought a cat? Is that, like, an apology cat? How am I supposed to believe you haven't mentally named that cat Dipping Sauce or Garnish or whatever?"
Well, except that that's something Howard would do, and R doesn't seem to be quite as keen on nicknames as Howard is. Furthermore, Howard doesn't really care - if R's here to try to lull him into a false sense of security, he just wishes R would give up the charade and get it over with.
The fact that R isn't throws Howard off balance, makes him want to put trust in someone again, because it's hard and lonely not to believe in anyone. It's what makes falling into the same of cycles of trust and abuse so easy, how difficult the loneliness of self-sufficiency is. As much as Howard's instincts and experiences are screaming for him to pull away, not just from R but from everyone, he needs human contact. Forget standing up for himself; he can't stand on his own at all.
So much wasted effort on all these pretty words if R just plans on turning around and eating him. Howard wants to believe that he just misunderstood what happened with Karis. He wants to believe R's honest.
"Here, let me just...take that. She's turning you into zombie jerky." Howard pulls his arms up and takes the cat from R, reaching up and snagging the nape of the neck and pinng the front legs down against the cat's torso. He brings the cat close to his chest and holds it tight, until it squeaks in protest, its little lungs and ribs being cramped in by the strange embrace. Howard seems to take some comfort in having something warm and furry under his control. He strokes its face a little, even as it hisses at him.
He talks more to the cat than to R. "Look, I...I don't. I don't know if I can believe you, okay? I'm sorry. I know you wouldn't be wasting all these words apologizing if you didn't mean it. You see all these bite marks? That's from a friend too. A good friend. So I don't need a long speech or nothing, I just...be patient with me."
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Hard. That’s the word he’s looking for. It’s harder than swaying somewhere and groaning. It’s really hard.
R only shrugs again at Howard’s nicknames for the cat. It’s just a cat. It doesn’t have a name. But Howard’s reaching for it now, getting close enough that they could almost touch if it weren’t for a few inches, and R thinks that in itself is promising. For a moment he expects Howard to kill the cat on the spot, only he doesn’t, instead holding it close like a pissed off, feral teddy bear that may or may not have ticks and ringworm. The kinked tail flicks against his leg. Despite the hissing, the cat seems to prefer being with Howard than with him, only giving a half-hearted swipe with its claws. R slouches where he sits and absorbs Howard’s words.
“Patient,” R repeats. Patient and waiting, got it. Can do. The zombie falls silent for a long moment, as if he’s started to drift off again, when he focuses his eye back on Howard. “…Why…would your friend…bite?”
R flops up a hand to vaguely gesture at Howard’s hot mess of a face. His mouth sags down in a frown. They don’t look at the Arena the same way, Howard and him, and he’s realizing that life to the little guy here is a totally different story, complicated and everything that R struggles to really get. In some ways, being a corpse is easier.
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hope this is okay--I can change if you need!
There's a high chance someone's already there. Hell, he wouldn't be surprised if he's walking into a trap. But he enters the place and immediately finds some strange sense of solace as his shoes hit the floor, finding it almost familiar to that of San Clemente High.
He focuses on that for a while--the thack thack thack of his shoes echoing off the walls. There's not much he can do asides from taking them off, and Brendan's not sure he wants to risk stepping on something with a place as dilapidated as this.
Time to move forward.
perfect!
This person doesn't look Wyatt's size. It might be a trick of the light, but Howard doesn't call out to confirm.
Further ahead on the track is a section of the roller coaster railing where the boards have rotted through, making them look stable but very fragile. Howard's removed the metal railing that runs under them, meaning someone walking on them could snap through them.
There are snares, too, made of rope - easier to spot, but the lighting isn't great inside Thunder Mountain with no electricity. Someone could walk right into one of the loops and find themselves with a noose tightening around their ankle. Howard's used shoelaces and a toy train from the gift shops to rig up a sort of 'alarm bell' in case anyone steps in the snares; if they get caught, the toy train's little whistle blows.
Wyatt knows how to get past them. As far as Howard knows, no one else has so far. So he stays crouched in the dark, cloaked in shadows, waiting to see what the human figure not a hundred yards away will do.
wheh sorry for the huge delay ;_;
Only way he's going to survive if he looks sharp. The lighting is dim, but Brendan's used to late nights with nothing but the moonlight and a book--probably why he needs such a strong prescription for his glasses--but it's sheer luck he glanced down to notice the snare just as he was bout to step on it.
The curly haired teen freezes, whole body tenses and he feels like a coiled up spring as he cautiously steps over it. Whoever here's smart--because this is the sort of thing he'd do if he got here first.
"Smart thinking," He calls out. He's unsure if someone's there, but he raises his hands. "I'm not looking for chin music, dig? I'm a bindle stiff on the nut." Metaphorically, anyway. "Say the word and I'll take powder, but I want to talk."
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"What the hell is 'chin music'?" He leans over to rest his hands on the roller coaster car, mostly to take weight off his injured leg. "Okay, talk. Who are you and what's your deal?"
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"Name's not important, but I'll bite. Brendan. Was lookin' for something to get off of the nut but like I said, I'm behind the eight ball. From the looks of the state of you you're not exactly in the right, either. Just got a few questions--and you look like the right gee for it. How'd you set up those traps?"
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"Just your good old-fashioned elbow grease?" He wonders if that's even the right dialogue he's slipping into. "My name's Howard."
He's not comfortable with the fact that Brendan can see from here that he's injured. He takes a step forward, but he's much too small for that to be an imposing gesture. "What are you here for?"
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He can feel the boundary as soon as he passes it, but he's expecting it this time, walking around ready to feel the push surge back like a dam breaking, so when it comes he catches it like he always does. Still, he's not going to wander around here like a time bomb, not in these sort of conditions, so he backs up until it disappears again, gone as if nothing had happened. It's fascinating enough that he spends as much time feeling out the border as he does keeping an eye out for parts, and that's long enough to figure out where exactly it comes back. Someone had a sense of humor.
This time, though, he has a plan, and dying would disrupt it, so he lays low as best as he can. It's still not enough to make him want to fight-- the others would understand, and they still have Tony, after all-- so when he hears someone coming he carefully lays down his own cape full of little pieces and raises his hands smoothly and calmly to show just how empty they are far before he can see whoever he's come upon, silently thankful he wasn't just a few feet over inside the boundaries-- the other guy didn't really get the point of conscientious objection.
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The blackberries and tomatoes have seeped and leaked through the fabric to stain it as if he's carrying a bleeding little body around. He figures that probably doesn't look very good either.
"It's me. I'm not looking for a fight." He twists his mouth to the side in an ugly smirk, one that has to work around all the extensive bloody damage to his face. "You could take me anyway, Big Guy."
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His first guess is that the stain on the cape is blood, and who can blame him for it; his own cape sling on the ground is bunched too unevenly to be something like fruit, and has nothing but rust and grime on it. He goes to pick it up, more to have something to do with his hands than because he feels he needs to. He smiles awkwardly, a little harder at the nickname. "I wouldn't be too sure about that. Is it a cliche to ask how the other guy looks?"
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Howard doesn't look happy about this - about the death, not about that he was the one to commit the crime.
"What've you got there?"
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He shakes the bag slightly-- not too hard, nothing that would damage the parts further than they already are-- to make them clank together in demonstration. "Scavenging for parts. I've got a PhD, might as well try banging some screws together."
But he pauses, before offering tentatively. "I'm not that kind of doctor, but have you gotten any of that looked at? To whatever extent is really possible out here."
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And he drums his fingers on the folding knife in the rhythm of 'all the king's horses and all the king's men...'
"Yeah? What are you making?" He doesn't expect to actually be told, and if Bruce actually says it out loud here in the Arena, with cameras and microphones everywhere, then Howard will know that doctorate didn't come with an attached vial of common sense. In a sense, he's asking to see how Bruce reacts more than because he thinks it's anything worth knowing.
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His face is bruised. His neck is bruised. His nose has been cracked and it rests crooked on his face, a steady stream of blood bubbling up from his nostrils. He cannot stand up straight, not really, and so he walks hunched with an arm curled around his wounded stomach. Now that Draco is dead, he has nowhere to go. He sleeps in holes, in overturned food carts, in dark corners where he needs to regularly fend off rats with his folding knife. It's so different from his first two weeks. Suddenly all he wants to do is sleep.
In Tomorrowland, Katurian is sleeping. He's curled up in a small ball not far away from the gardens, hidden under what once might have been a train car. His sponsors haven't been kind to him in the recent days. No food. No water. He came here for the former (and maybe the latter, god he's so thirsty) but it was a long walk and for whatever reason, lying down to take a quick break didn't sound like a bad idea. He holds apples in his arms as though they were teddy bears.
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He only stops a few steps away when he realizes that Katurian's not a rock at the base of Thunder Mountain in the dim light. He walks with that little limp around Katurian, until he recognizes the face. His foot drags slightly; just because the spear wound has healed up some doesn't mean that the trip to and from Tomorrowland is easy on him.
Katurian. The guy who would kill people in their sleep, looking like maybe the victims woke up.
He taps Katurian with his foot and then takes a few quick steps backwards, letting the sack fall from around his shoulders to swing in front of him like some sort of protective shield. "Wake up. You can't sleep here."
The shrinking nature of his body language is gone. Howard still skulks, but it isn't the vulnerable, helpless gestures of a wounded creature that dress his muscles so much as the motivation and seriousness of a wildcat. The arena is, unfortunately, his home now. He can be all business here, because here the fear and paranoia is an asset instead of a liability. Here it keeps him alive.
And so it isn't with shaking hands or hunched shoulders that he faces the man beneath him. It's with the jaded, vigilant stance of a survivor.
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How was he supposed to be the light child if he knew hardship?
His eyes open slowly at first, and then he's hit with a surge of energy, a white hot panic that explodes from his chest. His immediate instinct is to shove himself backwards, but when he does, the pain in his stomach stops him with a gasp. A grimace. It's only then, when he's paused in pain, that his eyes focus on the boy in front of him.
Howard.
Katurian isn't sure if this is good news.
From his place on the ground, the cuts and gashes on Howard's face almost look like shadows. That's what he thinks they are at first, jagged points of darkness, and then he realizes. Katurian still hasn't caught his breath, but the sympathy beats out the fear if just for one moment. "Jesus Christ."
It's a squeak.
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"It's okay, it looks worse than it...nah, actually, it feels pretty awful too."
The memories are the worst part, of course, but the physical pain doesn't have to be fun just because it's the lesser of the many evils here. "I look like something out of one of your crazy stories.
Maybe in some alternate world, he would have shown Katurian that he writes scary stories too. Maybe Katurian could look over them, give him tips, tell him that this is a good way to work out those demons, that this is better than binge-eating and shaking in the night and pacing until his feet blister and thinking about killing himself.
But maybe in some alternate universe they aren't all enemies on the same side, either.
"You're going to get found if you sleep here. I almost walked right into you. This is a shitty place for a dirt nap, that's all I'm saying." Howard eyes the apples in Katurian's hands, wondering if he can get one of them too. It's not greed, really, not for the sake of having things. Not entitlement. It's just plain old-fashioned want.
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(Once upon a time, there was a writer and he was a selfish fucking asshole to a boy with a mutilated face.)
He takes one of the apples and rolls it forward. His hands are trembling and the apple isn't exactly round, so it makes a brief circle in the dirt before stopping entirely. He gives it another nudge. Then another, more frustrated nudge. Finally, he picks it up and offers it forward with his shaking hand.
"It's a thank you gift," he slurs out. "Take it."
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"Look, come on, I'll show you where to sleep." He doesn't reach a hand out to help Katurian. They're clearly occupied, and he doesn't feel comfortable enough with him to let him into his personal bubble like that. "You help me, I help you. Who did this to you?"
He gestures with his hands. He'll tell Katurian what happened to him in exchange for the same - that way they both know who to watch out for. It's the most morbid and depressing of currencies.
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