Howard Bassem (
iselldrugstothecommunity) wrote in
thearena2013-03-19 12:44 am
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Entry tags:
I Sleep Beneath the Golden Hill [Open]
WHO | Howard Bassem and anyone
WHAT | Howard builds himself a hidey-hole in Thunder Mountain, steals a bunch of prop guns.
WHEN | The day after the Conucopia.
WHERE | Frontierland
WARNINGS/NOTES | None yet.
Howard finds shelter in the crannies and nooks of Thunder Mountain, but he doesn't sleep for a while. Instead, he works through the night, replacing solid boards on the bridge with rotting ones from down by the water and the fake dinosaur skeleton. It's difficult work, especially without any tools, but it's manageable. He undoes screws with his hands and with broken pieces of the anamatronic wildlife and some of the remnants of the 'saloon'. He uses some of the wires scavenged from the decapitated fake goat to tie himself to the rail while he works, but even with that there are a few moments where he's convinced he's going to fall in the dark and break his back against the hard cement ground.
By morning his hands are throbbing from scrapes and splinters, but he's managed to isolate a section of Thunder Mountain for his own safety. One of the little peaks the train goes through has a rail bridge on both sides, and Howard's made sure that unless someone knows where they're stepping - someone like him, who rigged the boards - it'll crack underfoot. It's also not a terrible view. He can see that there's still work to be done, he still needs to take the good track boards and hide them so his trap isn't deducible, but he's exhausted.
He's taken all of the prop guns from the shooting gallery and thrown them in the water, except one, which he takes up with him to his hideout. Not everyone will necessarily know that it's a prop. He has a stick of dynamite, too, possibly a prop, although he refuses to sleep near it. It's left out on the track, where he can run and get it but where he doesn't have to worry about rolling onto it when he rests. And he's broken off a sharp piece of wood from a rotting crate, and it'll serve well enough as a stake.
He sleeps fitfully through the morning and wakes around mid-day. He slinks out of the hideout, standing up a good twenty feet high on his little peak, and surveys the surroundings. He knows this makes him visible, but for the moment he feels safe enough that he doesn't mind being seen if it means seeing other people first.
Once he's satisfied the coast is clear, he walks across the track like a cat on the skinny edge of a fence, both arms held out like a tightrope-walker, until he's back on solid ground, and goes to the water and drinks it with his hands.
WHAT | Howard builds himself a hidey-hole in Thunder Mountain, steals a bunch of prop guns.
WHEN | The day after the Conucopia.
WHERE | Frontierland
WARNINGS/NOTES | None yet.
Howard finds shelter in the crannies and nooks of Thunder Mountain, but he doesn't sleep for a while. Instead, he works through the night, replacing solid boards on the bridge with rotting ones from down by the water and the fake dinosaur skeleton. It's difficult work, especially without any tools, but it's manageable. He undoes screws with his hands and with broken pieces of the anamatronic wildlife and some of the remnants of the 'saloon'. He uses some of the wires scavenged from the decapitated fake goat to tie himself to the rail while he works, but even with that there are a few moments where he's convinced he's going to fall in the dark and break his back against the hard cement ground.
By morning his hands are throbbing from scrapes and splinters, but he's managed to isolate a section of Thunder Mountain for his own safety. One of the little peaks the train goes through has a rail bridge on both sides, and Howard's made sure that unless someone knows where they're stepping - someone like him, who rigged the boards - it'll crack underfoot. It's also not a terrible view. He can see that there's still work to be done, he still needs to take the good track boards and hide them so his trap isn't deducible, but he's exhausted.
He's taken all of the prop guns from the shooting gallery and thrown them in the water, except one, which he takes up with him to his hideout. Not everyone will necessarily know that it's a prop. He has a stick of dynamite, too, possibly a prop, although he refuses to sleep near it. It's left out on the track, where he can run and get it but where he doesn't have to worry about rolling onto it when he rests. And he's broken off a sharp piece of wood from a rotting crate, and it'll serve well enough as a stake.
He sleeps fitfully through the morning and wakes around mid-day. He slinks out of the hideout, standing up a good twenty feet high on his little peak, and surveys the surroundings. He knows this makes him visible, but for the moment he feels safe enough that he doesn't mind being seen if it means seeing other people first.
Once he's satisfied the coast is clear, he walks across the track like a cat on the skinny edge of a fence, both arms held out like a tightrope-walker, until he's back on solid ground, and goes to the water and drinks it with his hands.
no subject
In the dark, Howard trembles and cowers and feels the knife slide slightly in his sweating palm. The muscles around his eyes tighten. He feels his breath struggle in and out of his throat. He tries to move, to scream for help, to cry, but he knows that for this moment, staying still is the only thing keeping him from giving away his location.
How could he be so stupid...?
He'd thought he'd found an ally. In a zombie. Because they listened to music and did karaoke together. But of course, and he should know this better than anyone, hunger is a more motivating force than any sort of bond. He honestly thought that the rats would sustain R, and now he just feels gobsmacked by his own stupidity.
He doesn't make a noise as he slips away, a good hundred yards before he starts to desperately pelt in the direction of Thunder Mountain, barely heeding the chance of running into other Tributes. He scrambles up the rail to his hideout, clutching the knife in his teeth and the fake gun down the back of his shirt. He pulls the gun out and tosses it aside, clinging to the folding knife as he hides in the scaffolding, shaking.
Stupid, stupid, stupid. Stupid to be so easily tricked. Stupid to trust.
He cries into the night.