Donatello Hamato (
polyturtle) wrote in
thearena2014-05-27 08:54 pm
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Entry tags:
Back in his element
Who| Donatello, Susannah, OPEN
What| Settling in, making improvised weapons and sort-of tech, and tending to Susannah.
Where| An old van on the Main Street
When| Throughout Week 1-2
Warnings/Notes| Blood, head injuries, possible mentions of Susannah's past? This will be updated as required.
Susannah was stable. That was the good news. But, she was still in a coma.
Which was fine by Donatello. Not that he was happy that she was injured with potential brain damage. Far from it, and being alone on a caffeinated high with noises around was not a good thing. Still, it allowed him to work. Shore up their position, make weapons from car parts, figure out supplies, and tend to the wounded. Maybe even make electricity.
It was about a day in when the parachutes came. First came the anonymous ones. Then, Harley's. Reading them both, Don's face set into a frown. Susannah's was especially problematic, given what he knew of her personalities. More specifically, the one called "Detta". But really, Susannah reading the note from Harley at all seemed like a bad idea. So Don decided to get rid of the notes through pragmatic means.
--
On top of getting rid of the notes, it made for great kindling that wasn't going to go to waste.
Don took a sniff as the meat strips he put over the fire began to turn colors and get warm. Yeah, he could eat them cold, but it was a little cold without his jacket, after all. And he was hungry. Kill two birds with one, er, stone, once he set Susannah's head with some gauze.
He was outside of the car, but the back doors were open. It was near dusk, and with the thick fog, he didn't anticipate many people finding him quickly or easily. And if they did? Well, the garden hoe was like a bo. And Donatello was a pro with the bo, and could go toe-to-toe with whatever someone might throw.
And apparently he also had the beginnings of a poet in him.
What| Settling in, making improvised weapons and sort-of tech, and tending to Susannah.
Where| An old van on the Main Street
When| Throughout Week 1-2
Warnings/Notes| Blood, head injuries, possible mentions of Susannah's past? This will be updated as required.
Susannah was stable. That was the good news. But, she was still in a coma.
Which was fine by Donatello. Not that he was happy that she was injured with potential brain damage. Far from it, and being alone on a caffeinated high with noises around was not a good thing. Still, it allowed him to work. Shore up their position, make weapons from car parts, figure out supplies, and tend to the wounded. Maybe even make electricity.
It was about a day in when the parachutes came. First came the anonymous ones. Then, Harley's. Reading them both, Don's face set into a frown. Susannah's was especially problematic, given what he knew of her personalities. More specifically, the one called "Detta". But really, Susannah reading the note from Harley at all seemed like a bad idea. So Don decided to get rid of the notes through pragmatic means.
--
On top of getting rid of the notes, it made for great kindling that wasn't going to go to waste.
Don took a sniff as the meat strips he put over the fire began to turn colors and get warm. Yeah, he could eat them cold, but it was a little cold without his jacket, after all. And he was hungry. Kill two birds with one, er, stone, once he set Susannah's head with some gauze.
He was outside of the car, but the back doors were open. It was near dusk, and with the thick fog, he didn't anticipate many people finding him quickly or easily. And if they did? Well, the garden hoe was like a bo. And Donatello was a pro with the bo, and could go toe-to-toe with whatever someone might throw.
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But Roland's coming up at just the right angle to get a glance through the open doors of the big car, to get a glimpse of that familiar hair, that familiar form. If he's found at least one of the people he's supposed to have been looking after, how he'd 'normally' act isn't even a consideration.
There's that creature outside those doors, though. Standing guard? Roland makes his steps a little louder in case it doesn't already know he's approaching, and calls out quietly. "Hile. I mean no harm." He raises a hand palm out as if to prove it, but only one. The left he keeps hovering near the screwdriver tucked into his waistband, because he's not stupid and because his right, missing the first two fingers as it is, couldn't be counted on to keep a weapon anyway. "It's only I've been looking for someone, and I think that might be her. Is it Susannah Dean who sleeps inside there?"
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He listened as the stranger spoke, and while he didn't clench the hoe as tightly, he didn't let go of it, either. He knew there were Tributes who'd have no problem killing a comatose parapalegic - much less a normal Tribute with all their limbs - without a second thought. Regardless of their words to the contrary.
"Yes, that's her," he replied carefully. "Why? Who are you?"
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It doesn't matter. Not right now.
"She can tell you as much, if you'd wake her." Roland does see the gauze, of course, had seen it the moment he'd caught a glimpse of her hair. And it's not really a good sign that Susannah hasn't woken already - the woman he trained would have, as soon as he'd approached. But perhaps she's only sleeping deeply. It's still possible, until and unless he finds out otherwise.
"Or I could share something of her, if you need proof. How well do you know her? What sorts of things has she told you?"
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Instantly, Don was at the truck quickly looking over the woman. Shell, she was coherent. For the first time in at least a week. Instantly his hand was looking for the flashlight, finding it in a crevasse.
"Shell," The relief was evident in his face as he turned on the flashlight to check it. "You sustained a nasty concussion near the Cornucopia; I just want to make sure you're..well, as all right as anyone can be after that."
...Oh, right. The guy.
"...There's someone here, yeah. Roland Deschain's his name. I'm...guessing you know him."
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"She does, but she hasn't said so yet. Not very careful of you, letting a stranger so close." Really. Someone aiming to keep Susannah safe should do better.
But Roland doesn't spend long on that, just steps around him and leans forward a little. "Susannah, dear. Can you hear my voice at all?"
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But the gunslinger's voice pierces through that mental fog and she finds herself struggling to respond, "Roland? How close are we?"
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He let the two speak, in the meantime.
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He's looking the figure over - that hard shell, especially, might be useful during attacks - when Susannah asks her question. The blood leaves his face so fast that, for a moment, it makes him a little dizzy. "We're..."
Try again. "That was long ago, Susannah. I- You're in Panem now. Do you remember?" He looks back at the other man, his expression far from the smile of a moment ago. "Perhaps you should talk to her. If you knew her before this arena, your voice might put her into the present, rather than..." Roland shrugs, frowning, then leans back over her. "Do you know where you are, Susannah?" Who you are? "Do you know who's with you?"
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"Donatello Dali?" She knew that turtle, he was her friend, he'd been betrayed like her, he understood. "I don't think... we're in Kansas..." No, wait, it wasn't Kansas. "Capitol. Not there. Arena? Izzat where we are?"
She closed her eyes again. Too much going on in front of them.
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And, for that matter, why is this man - Donatello, if Susannah was thinking clear in that moment when she'd seemed to recognize him, rather than just saying a couple disconnected words - taking such pains to take care of her? There may be a way, Roland realizes, to try to check whether his care for Susannah is as genuine as it seems. Or, at the very least, whether this Donatello was with her when whatever-it-was happened. "Susannah," he says gently, leaning near her but trying to stay mostly out of her line of sight. If the turtle's the one she sees, he's the one she'll be more likely to talk about. "What's the last thing you remember about the arena? Which memory is closest?"
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Which, given how she was switching back and forth from Detta to Susannah, didn't say much.
"I found her with the concussion on her head. Someone attacked her from behind, though I don't know who."
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While waiting for that, he looks up toward the other man. What she'd said hadn't been too useful. At least not in the way he'd hoped. Worrying, but not useful. But while he'd have preferred not to risk anger by asking directly, there's probably at least a polite way to go about this. "Thankee-sai. For taking care of her, you have my gratitude. But I hope you'll understand that I've got to ask you why."
Roland looks straight into his eyes, and he's not certain of his ability to judge what a lie might look like on such inhuman features, but that doesn't mean he isn't going to try. Why hadn't he asked Susannah for a description of all her allies before they'd gone into this? He hadn't given it a thought. Stupid. He'd counted too much on being able to find her early on, and look where that got them.
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"Yeah, I...threw Detta a bit. We were fighting over supplies, before we knew each other."
Like a Frisbee.no subject
But there's the need to keep Susannah talking, too. Keeping her focused on the here and now can only be a good thing. "Susannah. How did you two become friends?" While he is a little curious, it's a topic her mind's already focused on, so it might be easiest to keep her talking about that.
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Then he spotted Susannah in the van and for a moment, the threat was forgotten as he squinted and his eyes widened with horror.
"Susannah? Is that Susannah?"
From his tone, it was clear he was someone that cared about her.
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"Guy." He gave a nod. "Yeah. Its her. She was hurt pretty bad at the Cornucopia."
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He was already moving towards the van.
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Quietly, Don moved aside. He still held on to the hoe - just in case.
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He knelt beside her, on the side her face was turned to, gently placing his hand on her arm.
"Hey," he said gently, leaning over her so she could see his face. "Hey, guess who's come for a visit?"
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"No." He couldn't really say if it was true or not, as it seemed so out of left field. "There's no horse here."