Howard Bassem (
iselldrugstothecommunity) wrote in
thearena2013-03-19 12:44 am
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Entry tags:
I Sleep Beneath the Golden Hill [Open]
WHO | Howard Bassem and anyone
WHAT | Howard builds himself a hidey-hole in Thunder Mountain, steals a bunch of prop guns.
WHEN | The day after the Conucopia.
WHERE | Frontierland
WARNINGS/NOTES | None yet.
Howard finds shelter in the crannies and nooks of Thunder Mountain, but he doesn't sleep for a while. Instead, he works through the night, replacing solid boards on the bridge with rotting ones from down by the water and the fake dinosaur skeleton. It's difficult work, especially without any tools, but it's manageable. He undoes screws with his hands and with broken pieces of the anamatronic wildlife and some of the remnants of the 'saloon'. He uses some of the wires scavenged from the decapitated fake goat to tie himself to the rail while he works, but even with that there are a few moments where he's convinced he's going to fall in the dark and break his back against the hard cement ground.
By morning his hands are throbbing from scrapes and splinters, but he's managed to isolate a section of Thunder Mountain for his own safety. One of the little peaks the train goes through has a rail bridge on both sides, and Howard's made sure that unless someone knows where they're stepping - someone like him, who rigged the boards - it'll crack underfoot. It's also not a terrible view. He can see that there's still work to be done, he still needs to take the good track boards and hide them so his trap isn't deducible, but he's exhausted.
He's taken all of the prop guns from the shooting gallery and thrown them in the water, except one, which he takes up with him to his hideout. Not everyone will necessarily know that it's a prop. He has a stick of dynamite, too, possibly a prop, although he refuses to sleep near it. It's left out on the track, where he can run and get it but where he doesn't have to worry about rolling onto it when he rests. And he's broken off a sharp piece of wood from a rotting crate, and it'll serve well enough as a stake.
He sleeps fitfully through the morning and wakes around mid-day. He slinks out of the hideout, standing up a good twenty feet high on his little peak, and surveys the surroundings. He knows this makes him visible, but for the moment he feels safe enough that he doesn't mind being seen if it means seeing other people first.
Once he's satisfied the coast is clear, he walks across the track like a cat on the skinny edge of a fence, both arms held out like a tightrope-walker, until he's back on solid ground, and goes to the water and drinks it with his hands.
WHAT | Howard builds himself a hidey-hole in Thunder Mountain, steals a bunch of prop guns.
WHEN | The day after the Conucopia.
WHERE | Frontierland
WARNINGS/NOTES | None yet.
Howard finds shelter in the crannies and nooks of Thunder Mountain, but he doesn't sleep for a while. Instead, he works through the night, replacing solid boards on the bridge with rotting ones from down by the water and the fake dinosaur skeleton. It's difficult work, especially without any tools, but it's manageable. He undoes screws with his hands and with broken pieces of the anamatronic wildlife and some of the remnants of the 'saloon'. He uses some of the wires scavenged from the decapitated fake goat to tie himself to the rail while he works, but even with that there are a few moments where he's convinced he's going to fall in the dark and break his back against the hard cement ground.
By morning his hands are throbbing from scrapes and splinters, but he's managed to isolate a section of Thunder Mountain for his own safety. One of the little peaks the train goes through has a rail bridge on both sides, and Howard's made sure that unless someone knows where they're stepping - someone like him, who rigged the boards - it'll crack underfoot. It's also not a terrible view. He can see that there's still work to be done, he still needs to take the good track boards and hide them so his trap isn't deducible, but he's exhausted.
He's taken all of the prop guns from the shooting gallery and thrown them in the water, except one, which he takes up with him to his hideout. Not everyone will necessarily know that it's a prop. He has a stick of dynamite, too, possibly a prop, although he refuses to sleep near it. It's left out on the track, where he can run and get it but where he doesn't have to worry about rolling onto it when he rests. And he's broken off a sharp piece of wood from a rotting crate, and it'll serve well enough as a stake.
He sleeps fitfully through the morning and wakes around mid-day. He slinks out of the hideout, standing up a good twenty feet high on his little peak, and surveys the surroundings. He knows this makes him visible, but for the moment he feels safe enough that he doesn't mind being seen if it means seeing other people first.
Once he's satisfied the coast is clear, he walks across the track like a cat on the skinny edge of a fence, both arms held out like a tightrope-walker, until he's back on solid ground, and goes to the water and drinks it with his hands.
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Hey, at least he has all his arms and legs. That's something. A dead guy could work with that. R tries to maintain a healthy, positive outlook on un-life. It doesn't change the fact he's still hungry.
This morning he tries a rat. The rats here are stupidly big, they've been feeding well, and they squeal when he grabs them and squeezes. Then they stop. Man. Fur, again! R hates fur. He'll even say he's picky about it. The rat he clutches in his hand, dragging it at his side, is chewed up as R decides he's not that hungry. Instead he keeps moving, stumbling along on his ankle and pausing at the fallen wooden logs. Someone might be here. Hopefully not Sneezy. R wants to keep his other eye.
After a long moment of staring up at the red mountain, swaying slightly, R starts up it. Stronger smell, beckoning him closer, and maybe, just maybe, he could toss the rat. The zombie reaches some kind of wood bridge, stumbles across -
CRACK.
His broken foot goes right through. His stomach drops along with his center of gravity. Next thing he knows, R's suddenly half through the planks, squirming, moaning in frustration as he tries to lever himself back up. The rat plops a few feet away.
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Howard snaps out of his nap disorientingly fast, too fast to realize that the sound outside is his trap going off. He grabs for his gun, and for a moment forgets it's just a prop, because he moves to check the safety. If it's Aunamee outside, the rifle is more a security blanket than something to even threaten with; surely Aunamee wouldn't be stupid enough to be fooled by a fake weapon. Howard swallows hard and wraps his shaking hands over the trigger, then he remembers his stake and tucks that into his waistband.
He pokes his head out of the tunnel, expecting to see the worst, and instead sees Rob struggling with the broken track. Howard's jaw drops for a moment - this is a strange turn of events - and then he yells "hold still, hold still" to R and starts to walk out on the safe spots of the track.
"What the hell, man? Were you just sneaking up to eat me in my sleep?" Howard can't help but be accusatory. He's tired, confused, and hungry. It brings out the snappish side of him. He glances down and sees the rat. "Or...wait, were you bringing me dinner?"
He reaches where R is and crouches down, grabbing the zombie by the shoulder so he can help R lever himself up.
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Then it sinks in. Howard. He knows him. Howard isn't food. He's off the menu, no cheating, no sneaking in nips like a midnight snack. Friends aren't edible.
R realizes he was simply gaping at the other boy and snaps his mouth shut. The awkward part is Howard is more right than he knows: R really was coming up here to do just that, although he had no idea Howard was the one up here. Fighting through the hunger and doing his best to stomp it down, R manages to grab at Howard's arm, trying to help push himself up so the little guy isn't doing all the work. By some miracle the smaller Tribute gets him back to solid(ish) ground, R slumping down next to him and staring at the new hole in the tracks. Pretty long drop there. You could break your neck falling that high.
It doesn't occur to him that's precisely what Howard was banking on.
This is probably the part he should lie. Nod and say he really was a corpse bearing gifts. Too bad he sucks at lying.
"Thu-thanks," R wheezes, stumbling over speaking again. They're the first words he's said since before the Arena, the zombie's voice coming out with a weird, faint whistling sound from his chest - probably from where Sneezy stabbed him during his get away. "Curious. Wanted...see what's up...here?"
R's words are more halting as usual as he waves a hand at Thunder Mountain. If Howard wants some mutilated, chewed-up rat, then he's welcome to knock himself out. R had enough junk food for today. Reaching over, he grabs the rat - it's literally a hunk of meat and fur with legs sticking out, the head gone - and drops it in Howard's lap like a housewarming gift.
As soon as he thinks Howard's distracted, R turns to the side and scrubs any blood and fur off his mouth again, trying to sneakily pick out any meat chunks. For some reason he wants to look presentable. What Howard thinks is important.
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"Thanks," he wheezes as he takes the rat and sits back up, thinking R's not unlike a dog dropping a felled duck at its master's feet. He's not going to eat it yet - he'll cut it into pieces first, rather than gnaw on it and maybe choke on a bone - but he does fully intend on making it his meal for the day. He received some food last Arena, but doesn't like relying on gifts from the sky.
Then he takes a good look at R.
R's attempts at cleaning himself up haven't done any good. Firstly, Howard doesn't care about a little messy eating, and secondly, there's the issue of the missing eye.
"Oh my God..." It's not the worst thing Howard's ever seen, but it's close. R's eye socket gazes back at him like a puckered mouth suckling at his terrors. The eyeball itself hangs from a semi-dried pinkish string, swinging a little whenever R moves his head. It swings like a pendulum, almost hypnotic in its grotesque presentation. Howard can't help the way his lip curls, the way his forehead turns into a furrow of disgust and horror.
"Oh my God," he repeats. "Oh, oh my God. Okay. Okay, wow, okay. Jeez. Wow." Meaningless words come spilling out his mouth to fill the space, to fill the air that he'd love to just fill with screaming right now, except he's too smart, too jaded. The part of him that wants to shriek and cry is much too small to outwrestle the part of him that knows he shouldn't draw any attention to them.
He points a shaking hand at the dangling eyeball. "Okay. Can that...do you want me to help you pop that back in, or just rip it off? I mean, can you see with it?"
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When he shifts to the side, he sees Howard staring. His expression is horrified, mouth parted in a disgusted "o". Uh oh. Frowning, R paws again at his face, convinced he has a hunk of rat - or, worse, another Tribute - stuck in his teeth. What if Howard was friends with those people he bit? This could be Julie all over again, except maybe worse: R would have to explain that those people might be well on their way to corpsehood. It's worse than being normal dead.
R suffers the next closest thing to stage fright a zombie can get. Clams up, goes even more stiff, every smooth explanation flying out his head. Is he going to kill this friendship already? Finally Howard says what the problem is. R actually sags in relief, his shoulders flopping down from an almost defensive hunched position. Compared to what he'd been thinking, his eye doesn't seem all that bad.
"Put...back in. My...good...side," R tries to smooth things over with a joke. "Can't see."
He pauses, thinking that's not enough, I want to give him more, and then reaches over with a hand, going so slow that it's a snail's crawl even for a zombie (he lets the Living boy next to him see it coming from a mile away). R nudges against Howard's shoulder with his fingers.
"You're a...good friend...Howard."
R means it. Really, he does. Howard keeps pleasantly surprising him at every turn with something he says or does, like music or offering to get his hands dirty in zombie parts. Most people aren't like Howard, fast on their feet, smart, open-minded. R starts to feel that warm glow from before trying to crowd out his usual hunger. His hand flops back down as R finally bothers to look around; cramped fake rock walls, red like the outside, paint peeling in places, in others missing entirely. Part of the scaffolding is exposed, giving even more hiding spots for those who can fit.
His eyes fall on the rifle next to Howard. Oh. Well, awkward, but okay, it makes sense. It's probably not there because of only him, R suddenly has a wave of insight wash over him. Howard is small, not exactly a muscle-head. Maybe he would present an easy target to the other Tributes out there...and he knows it.
warning: dead baby talk
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There was something he wanted to see.
In the shadow of the great, fake mountain, he loitered at a post, studying one of the strange, but helpful, little maps he'd found posted along the paths.
You are here, it told him, a faded star for emphasis. Thunder Mountain. Frontierland.
Brow furrowed, one eyebrow raised, he looked around, shifting the bag upon his shoulder idly as he took in his surroundings.
Didn't much look like the frontier as he remembered it.
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But inside the Arena, it's a different matter. Howard doesn't have time to be scared of the past when the present is so terrifying. So when he sees Wyatt below him, not thirty feet away, looking at the signpost, he reaches out to him.
"Hey," he says, in a whisper he hopes carries that far. "Wyatt. Wyatt. Up here."
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His brow furrowed - up here - and his head tipped back obiendently, blue eyes scanning, sliding across the face of the mountain....
"Howard?" His head ducked, a hand coming up to shield his face.
He was aware that the boy had been avoiding him; he had tried to see him after the last arena, had wanted see that he was alright (to apologize), but whenever he'd managed to spot him, Howard had slipped off. Like smoke into the night.
He'd tried not to take it personally.
"That you?"
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He tries to shove it out of mind. "Don't come up here, I'll come down to you. The track is rigged."
He starts to descend, balancing carefully, until he's down near Wyatt. He's got the same twitchy posture, but he seems to grow a bit in the Arena. The skulking and shying seems more focused, like being hidden is a goal now rather than a compulsion. He peeks around one of the cement rocks at Wyatt. "You made it out of the Cornucopia without decorating your face this time."
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If he was at all surprised to find Howard willingly approaching him - and he was - he kept it to himself.
"I could say the same 'bout you," he said, remembering the wash of red that had stained Howard's face and clothes last arena. "Lady Luck musta been smilin'."
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Hell, it was actually pretty fun. Old Gaius the Nimble-Fingered still had it in him. Buoying his mood were the berries lining his pockets, and the improvised cloth sack slung across his shoulder. All he needed now was a good sword, and he'd be set.
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Howard startles awake when he hears a particularly loud creak, that illusion of safety of shattered. He leaps up and grabs his prop gun, popping his head out the entrance to be met by the worst possible sight - another person, and not only that, someone who easily bypassed the rigged security system, who is now halfway up the track to the tunnel.
"Back off," he hisses at the stranger, a soft-haired guy with apparent acrobatic skill, from the way he's walking the rail. He holds the gun up. "Get away from me."
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He did back off a little, though. "Relax, kid. I'm not here to steal your stuff."
Unless Howard's stuff involved treasure.
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"And what about kill me, are you here to do that?" Howard doesn't lower the prop gun, however. It's a valid question, out here in the Arena. He glances back over his shoulder quickly, at the small collection of things he has - some pieces of the anamatronic wildlife, a broken piece of the dinosaur skeleton, a few sticks. "I don't have anything worth stealing anyway. I swear. Just broken stuff from around the mountain."
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"Believe it or not, I'm not all that crazy about offing kids."
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This looks dangerous.
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He does not, however, give points for trying to break into 'his mountain'. He raises the prop gun at Sokka. "What are you doing here?"
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"...I was just checking out the 'mountain.'" Sokka raises his free hand to make quotations. A mountain this ain't!
"I don't want any trouble."
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"Good. I don't want trouble neither." He slowly lowers the gun, but doesn't forget where the stake is. "This is my mountain. Hill. Tower-thing."
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Ugh. She should have listened to Wichita more.
he'd spent the night making her dress well and truly tattered into something more closely resembling a mini skirt, so at least she didn't trip over that as her attention was suddenly pulled away from looking into buildings and up to strange shadow- a guy. She pivoted to the left, pressing hard against the crumbling wall of one building, hoping (without much actual hope) that she hadn't been spotted. Just because she'd found one guy who wasn't big on killing kids didn't mean she'd get lucky again.
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Balancing on the way down the rail is significantly more difficult while holding the gun and stake, but he manages it without falling to his death, which he considers something of an accomplishment. He jumps down from the track, trying to be quiet. He holds the prop gun as if it were a real one, and then, after listening for breathing or whimpering and hearing nothing, turns the corner and comes face to face with Little Rock.
"Who are you?" He holds the prop gun with one hand, and the other rests on the stake he's tucked into the band of his pants.
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So, all in all, Little Rock had no problem looking appropriately wide-eyed and terrified at a man pointing a weapon at her. It wasn't fully faked. It wasn't like she had a back up plan on this one, no gun of her own hidden to the side. Instead, all she could do was press her back against the wall and watch him.
"Don't shoot me. I didn't do anything."
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"I didn't say you did anything. I asked who you were." He lowers the gun slightly, but he grips the stake behind his back tighter. She's a kid - most people would discount her as a threat, but Howard's seen too many little kids turn out to be deadly.
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In addition to the cape, he's now torn away the sleeves of his costume, stuffing them into his bag in case they should come in handy.
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He gets back into his tunnel and peeks around. His eyes narrow. He squints at the place he could have sworn he saw a man.
It's just a shadow.
Howard climbs inside the scaffolding of the mountain, hands shaking too hard to continue working on the tracks.