The Gamemakers (
gamemakers) wrote in
thearena2012-05-26 03:52 pm
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ARENA 02- let's get this party started
There is a different tension in the air. This is the first time anyone has been returning to the arena, and it changes things. For the tributes that know, for those prepping them. It's all under the surface, waiting. The prep goes the same as before.
The tributes are taken from the Training Center, one by one, and placed into the hovercraft that will take them on a long, tense ride to the Arena. New tributes have a tracking device implants in their arm, old tributes have their's activated, a move so similar, so swift it would be hard to notice.
Left alone with their stylist, each tribute is dressed quickly, light colors, cotton fabric, sturdy boots. Nothing waterproof, and nothing that will help against cold, dark nights. Then they are set into the clear tubes, and go up to whatever waits above while the voice counts down.
25 - 24 - 23 - 22 - 21
It late evening, but the summer sun is still high and the day is hot over the ruined city that rises up around them. The air shimmers with it, hot, heavy, pressing down on the tributes.
18 - 17 - 16 - 15
The cornucopia, the only bright, new thing in sight besides the pedestals they stand on shimmer brilliantly in the sun, all the life saving supplies scattered around in, tempting and deadly.
9 - 8 - 7
They've all been warned, don't step off your pedestal early.
4 - 3
2
The sound of the gong releasing them echos into the empty streets. Let the games begin.
[OOC: Don't forget the OOC Arena post, especially those of you running for the Cornucopia. Every single one of you ought to post to this post. There will be a Cornucopia thread, and anyone else feel free to post as you will. Please add a tag with your character's name.]
The tributes are taken from the Training Center, one by one, and placed into the hovercraft that will take them on a long, tense ride to the Arena. New tributes have a tracking device implants in their arm, old tributes have their's activated, a move so similar, so swift it would be hard to notice.
Left alone with their stylist, each tribute is dressed quickly, light colors, cotton fabric, sturdy boots. Nothing waterproof, and nothing that will help against cold, dark nights. Then they are set into the clear tubes, and go up to whatever waits above while the voice counts down.
25 - 24 - 23 - 22 - 21
It late evening, but the summer sun is still high and the day is hot over the ruined city that rises up around them. The air shimmers with it, hot, heavy, pressing down on the tributes.
18 - 17 - 16 - 15
The cornucopia, the only bright, new thing in sight besides the pedestals they stand on shimmer brilliantly in the sun, all the life saving supplies scattered around in, tempting and deadly.
9 - 8 - 7
They've all been warned, don't step off your pedestal early.
4 - 3
2
The sound of the gong releasing them echos into the empty streets. Let the games begin.
[OOC: Don't forget the OOC Arena post, especially those of you running for the Cornucopia. Every single one of you ought to post to this post. There will be a Cornucopia thread, and anyone else feel free to post as you will. Please add a tag with your character's name.]
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She merely takes a sitting position at the wall, shrugging her bag into her lap as she carefully goes through it. Knowing that she's leaving after a few more hours, her priority is now to keep her spoils to herself, hidden. A coat, some dried fruits, some matches. Not bad, and she imagines the coat will come in handy.
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Does she let Eliot take the lead? Momoko doesn't even answer to her own father, she can't see that lasting long. Should she try and ally with Ariadne behind Eliot's back somehow? Whatever she decides, she's not going to accomplish anything sitting here making idle conversation with her current ally, so she decides to start Ariadne talking as well.
She wants to ask about the supplies, but that likely won't get a straight answer so instead she asks, genuinely curious, "Was it worth it?" The idea that this might be considered cold or insensitive doesn't even cross her mind.
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Ariadne glanced up to Momoko, tipping her head to one side in almost bird-like curiosity. "I'd have rather not run into anyone at all," she replied after a moment.
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What kind of people came up with "entertainment" like this? He hadn't missed either teens' reaction when he'd called them innocents under his breath. But the fact remained that he could read in their body language that this sort of violence was foreign to them. Whatever they might have seen or done, they had been civilians until they came here. What kind of people went out of their way to drive children to kill?
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"Neither of you got anything?" Her eyes flicker to Eliot, holding his gaze for a moment. "Besides that can."
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"I didn't try," says Momoko. "Too risky, for me." She tightens her grip on the can, more relieved than she'd like to admit to have this one, small lifeline.
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"Which districts are you from? Or...did they say you represented?"
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"My grandmother," says Momoko in response to his question. Not the first person that comes to mind, but a key part of Momoko's 'story' for the cameras. "I live with her and my father, who is...well-meaning but useless. I take care of things, especially my grandmother. I don't know how things are going without me..."
Momoko carefully doesn't bring up Ichigo, because being friends with an uncouth biker chick would ruin her cultivated image. And maybe, slightly, because there's a part of her that doesn't want to bring Ichigo into this world, into her life of lies and performance. Better she stay locked up in Momoko's memories for now.
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"Yeah, she's a coworker but, no, we're not entertainers, although Sophie keeps trying to start an acting career. I guess we all could be, if life had been different, if we'd made different choices. But that's all water under the bridge now. No, we're a consulting firm officially.
"Your grandmother? You must miss her."
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"Oh, yes, I do," says Momoko, and it's not even really a lie, though her grandmother is far from her biggest concern. "And I'm worried, of course, she's old and not quite right in the head, you know. I'm sure my father has no idea what he's doing."
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