Entry tags:
closed.
WHO| Aunamee and Howard
WHAT| A new tribute arrives.
WHEN| Third Week
WHERE| Ice fields.
WARNINGS/NOTES| None yet.
The strong will survive, and Aunamee is strong.
Ahead of him, the landscape is a perfect white (his favorite color, a blank slate) sprinkled with bursts of red and brown. Blood, but no bodies. Blood, but no bodies. He's noticed the trend and he prefers it, in a way. It makes the perfect white snow (the perfect blank slate) into an artist's palette with colors to be mixed and merged, except the paint belongs to someone's last moments and the palette is a killer by its own right, cold claws ready to snap up at any moment.
The strong will survive, and Aunamee is strong. He does not let himself fear.
Except he does. His heartbeat rolls up from his chest and into his throat, an all-together unfamiliar sensation that makes him feel like a prey animal. It's disgusting. Nauseating. Maddening.
It's almost enough to make him paint.
WHAT| A new tribute arrives.
WHEN| Third Week
WHERE| Ice fields.
WARNINGS/NOTES| None yet.
The strong will survive, and Aunamee is strong.
Ahead of him, the landscape is a perfect white (his favorite color, a blank slate) sprinkled with bursts of red and brown. Blood, but no bodies. Blood, but no bodies. He's noticed the trend and he prefers it, in a way. It makes the perfect white snow (the perfect blank slate) into an artist's palette with colors to be mixed and merged, except the paint belongs to someone's last moments and the palette is a killer by its own right, cold claws ready to snap up at any moment.
The strong will survive, and Aunamee is strong. He does not let himself fear.
Except he does. His heartbeat rolls up from his chest and into his throat, an all-together unfamiliar sensation that makes him feel like a prey animal. It's disgusting. Nauseating. Maddening.
It's almost enough to make him paint.

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Howard chews his tongue, then decides to go with it and pulls his pant leg out of his boot. Removing the boot is difficult. His ankle and foot are both swollen, and have turned the sickly purple and yellow color of a bruise. He's been keeping it straight with a piece of an arrow and some bandages.
He keeps his hand in his pocket, around the knife, just in case Aunamee decides to do anything. Howard doesn't especially like him yet - he's acting like he wants something, and it wouldn't shock Howard if it were supplies or advice - but first aid is first aid.
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His mystery.
He sits down beside Howard and takes his foot in his hands, examining the bruises, the swelling. He gingerly palpates the outside of his ankle, ligament after ligament, listening for sounds of pain (the most beautiful sounds in the world) and feeling for bone. This is all very natural. Everything is so natural.
"How did this injury occur?" he asks, although he knows, oh, he knows. "Or if you'd rather not say," he continues, "you could do me a favor and tell me whether you saw it bend inwards or outwards."
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Howard doesn't make any noises of pain, but he does wince when Aunamee presses on certain parts. His face furrows into an expression of sudden pain. He takes a deep breath when Aunamee retracts his hands.
"At the Cornucopia. I was pulling a bag from someone and they let go, so all my weight went on my foot. Outwards, I think." Trying to wrest supplies from the old man who is, ironically, Howard's ally now.
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He waves a hand at Howard's foot.
"I'd like to see you move it, if you don't mind." An outwards bend, if he remembers correctly, is one of the worst kinds; the ligament tears near so many important bones. It's enough to make Howard a liability. "You didn't hear any pops or cracks, did you?"
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He doesn't know it's a bad sprain, and he's honestly worried it's a break.
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"It's a sprain," he says. "And quite a bad one at that."
He leaves the words unspoken, how he could easily overtake Howard in this position but doesn't. Aunamee is fond of him, how his pain rings and sings in his ears, how his brow furrows with suspicion and how he struggles to take command of every situation. There is no need to discard him so early. When his ankle fails him, he'll be easy to eliminate -- in mercy or otherwise.
He gestures at the bandages.
"What other supplies did you nab, twisting that ankle of yours? More of these?"
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"Will it get worse? From walking on it, I mean? I feel like it's been about the same level of hurt for the last few days."
Howard's suddenly glad he didn't have his sleeping bag on his back when he ran into Aunamee. Between his hideouts with Sigma and Alpha, he has two cans of food left, two sleeping bags (although one was stabbed and ripped nearly to shreds when he killed Draco), his knife, clampons, some fishing line, a fifty-foot rope, and three people's worth of clothing. Not a bad haul. Plus Sigma and Alpha both have firestarting kits of their own, which have come in handy.
"Not too much. I have a knife and a sleeping bag back where I'm hiding." It's a lie - he has more than that, and the knife is in his pocket.
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He hears the lie, the chorus diverging. Oh, distrustful Howard. Liar who lets people freeze to death and fills other bodies with holes. He runs his tongue over his teeth and sits back on the heels of his feet.
"There are ways, of course, to recover your mobility. Exercises. Physical therapy. And there are ways to reduce the swelling."
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"But the rest of that doesn't sound like anything that'll help me right now. It'll only help if I win, and that's probably not going to happen either." In a way, Howard prefers the arena. It's stressful and brutal, but it's easier to play desperate in front of the cameras than to pretend to be charming and happy in the Capitol. He's not interested in winning so much as postponing both death and the return to luxury.
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Is this boy delusional? Psychotic? Are his abilities failing him, flickering on and off like a fading light bulb, spewing false information like a dying machine?
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The chosen men and women before Aunamee, their abilities ebbed and flowed near the end. Their visions grew unreliable. They made mistakes not through carelessness, but by following information that was fundamentally false. It was as though the power they held started to reject them, to taunt them and draw them towards their deaths.
"I might have heard something," he says. He looks up without moving his head, wide eyes staring at the sky above. His breath is halved. "Up there."
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Which means that if they hear something, it's probably a threat.
"We should book it."
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Aunamee gives a tight nod and unfolds his legs. He uses the wall of ice to guide him as he stands, his feet suddenly unsteady, his muscles suddenly heavy. He is a man who is unused to uncertainty and now he is drowning in it. It fills his sinuses even now, even when he's supposed to know everything.
"You promised to find me shelter."
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Why yes, he is ratcheting up Aunamee's end of the bargain right now. In his mind, it's justified because if they've been followed, they'll need to walk further. He navigates the crevice at a bit of a trot, favoring one leg but biting down the pain to avoid showing weakness.
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He follows. He focuses on Howard's pain instead of the greater picture, the mysteries and impossibilities spiraling from this boy's mind.
"You've been through these sorts of things before." His voice maintains that same tender quality, the air of paternal protection. "Horrors."
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But that isn't Aunamee's fault, he thinks. And if he's going to be coming back to Aunamee later for that ankle, he needs to not only make nice, but start figuring out how Aunamee ticks. So far all he knows is that Aunamee's new, afraid of heights and has something of a warm schoolteacher vibe.
"You got kids?"
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He can still see them when he closes his eyes. His mother blowing her nose into a tissue as she cries, cries, cries. His father standing tall, rigid, his skin so white that it matches the wall behind him.
"You can say I've been through my own horrors."
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Turning the conversation from Howard's fears to Aunamee's is a defense mechanism. If he can remind Aunamee how unpleasant it is to discuss one's past, maybe Aunamee won't ask him anything more about his.
"What did you do, before all this?"
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"Help people," he says. He walks without shuffling, his feet taking precise, decisive steps on the cold ground. He no longer uses the wall for support. "I chose to dedicate my life to helping people who suffered not unlike I did."
You add water to a bucket, and all the dirt and grime float up to the surface. Aunamee dreams of kicking up Howard's past with his own. He gives him a significant look, his lips tugged into a sad smile.
"My parents passed away when I wasn't much older than you. I've been on my own ever since."
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There's no wince on his face, but he does flinch inside when Aunamee says that. "At least yours had the decency to die. Mine abandoned me."
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He helps them with poisonous pills. Burning buildings. He offers them his warm hand to hold while the other twists a knife into their backs. The newspapers call him a spiritual leader and his followers call him by his first name, his only name. The people on the other end of his blade call him their savior.
"You should know there's no decency in dying."
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Howard laughs, and it's an ugly, dry, mean sound. "That's bullshit. Dying's the best excuse ever. 'Sorry I couldn't be there for you, I was dead'. See?"
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"Something like that," he says, his interest already shifted to his true element. "But are you sure about that, Howard? If your parents were alive somewhere -- right now, this instant -- would you rather they were dead?"
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And there's another part of him that believes that it's fundamentally wrong for him to wish death on his parents, that he can't really hate the man and woman who took him to Disneyland and stayed home from work when he had the stomach flu and yelled at him to do his homework and watched the Pokemon movies at least thirty times for him. A part of him that believes if you want people dead, you're not allowed to miss them so deeply that you cry for them more nights than you don't.
"You didn't answer my question. What was your job title?"
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