Aʀʏᴀ Sᴛᴀʀᴋ (
needlebearer) wrote in
thearena2015-07-07 12:33 am
Entry tags:
(no subject)
Who| Arya and open; with closed prompts for Anna and Kaidan
What| Arya spends time with her camp mates, runs from the bombardment, and adds to her kill count
Where| The forest and castle
When| Week 5, 6, and 7
Warnings/Notes| Violence, death. Prose or brackets both fine.
a) Open, Tabris' group's camp in the forest, backdated to week 5-6
It had taken her a while to recover from seeing the spirits of her parents and brother in the catacombs. Now she's away from there and back in the foreset, she's accepted that her mother and father and Robb were nothing more than a Gamemaker hallucination designed to get a reaction out of her, and while that's reassuring to her in a way, with the knowledge that they hadn't tried to bring them back in some way - an inferior, far more macabre way to reviving the Tributes - the whole incident has increased her hatred toward the Capitol tenfold. When she's not hunting or practising her combat or on lookout duty, she can be found staring intently into the campfire, or whittling away at sticks with her knife, repeating a string of names, the same list she repeats every night before she sleeps, trying to hold herself back from saying President Snow's name aloud along with them.
b) Closed to Kaidan, backdated to week 6
Between sticking close to Tabris and being in the forest, Tom's domain, Arya feels far safer now than she has in the Arena so far, and her confidence has grown along with that. Since she and Tom killed Alain, it's occurred to her that she hasn't done all that much killing in this Arena. The string of sponsor gifts that she received at the start of the Arena has slowed to a trickle over the last couple of weeks, and to Arya the message is clear: if she wants more silver parachutes, she's going to have to start doing what she was sent her for. With her daggers strapped to her belt and swinging her mace in one hand, she sets out through the forest in search of a victim.
c) Closed to Anna, week 7
She's certain it's down to the last few of them now. Arya had never expected to last so long in the Arena, and the more time passes, the more determined she is to win. She knows venturing out of the forest is risky, but it's been quite a while since she'd seen anyone in there apart from her own group, and no matter how Molotov had urged her to take advantage of the sympathy and hospitality others had toward a child and then kill them in their sleep, she couldn't find it in herself to do so. She hadn't become so desperate just yet. Instead she heads for the castle, remembering the feast that had been laid out there in the early days of the Arena and hoping strangers who she'd have fewer qualms over killing were in that vicinity.
d) Open, week 7, choose your own adventure
Arya can be found in the forest or at the bay watching the ships come in, before hiding from the cannon fire and general chaos the Arena is descending into. Feel free to leave your own starter or poke me on plurk at
viridianwings if you'd like me to set up something for Arya and your character.
What| Arya spends time with her camp mates, runs from the bombardment, and adds to her kill count
Where| The forest and castle
When| Week 5, 6, and 7
Warnings/Notes| Violence, death. Prose or brackets both fine.
a) Open, Tabris' group's camp in the forest, backdated to week 5-6
It had taken her a while to recover from seeing the spirits of her parents and brother in the catacombs. Now she's away from there and back in the foreset, she's accepted that her mother and father and Robb were nothing more than a Gamemaker hallucination designed to get a reaction out of her, and while that's reassuring to her in a way, with the knowledge that they hadn't tried to bring them back in some way - an inferior, far more macabre way to reviving the Tributes - the whole incident has increased her hatred toward the Capitol tenfold. When she's not hunting or practising her combat or on lookout duty, she can be found staring intently into the campfire, or whittling away at sticks with her knife, repeating a string of names, the same list she repeats every night before she sleeps, trying to hold herself back from saying President Snow's name aloud along with them.
b) Closed to Kaidan, backdated to week 6
Between sticking close to Tabris and being in the forest, Tom's domain, Arya feels far safer now than she has in the Arena so far, and her confidence has grown along with that. Since she and Tom killed Alain, it's occurred to her that she hasn't done all that much killing in this Arena. The string of sponsor gifts that she received at the start of the Arena has slowed to a trickle over the last couple of weeks, and to Arya the message is clear: if she wants more silver parachutes, she's going to have to start doing what she was sent her for. With her daggers strapped to her belt and swinging her mace in one hand, she sets out through the forest in search of a victim.
c) Closed to Anna, week 7
She's certain it's down to the last few of them now. Arya had never expected to last so long in the Arena, and the more time passes, the more determined she is to win. She knows venturing out of the forest is risky, but it's been quite a while since she'd seen anyone in there apart from her own group, and no matter how Molotov had urged her to take advantage of the sympathy and hospitality others had toward a child and then kill them in their sleep, she couldn't find it in herself to do so. She hadn't become so desperate just yet. Instead she heads for the castle, remembering the feast that had been laid out there in the early days of the Arena and hoping strangers who she'd have fewer qualms over killing were in that vicinity.
d) Open, week 7, choose your own adventure
Arya can be found in the forest or at the bay watching the ships come in, before hiding from the cannon fire and general chaos the Arena is descending into. Feel free to leave your own starter or poke me on plurk at

no subject
By now, she's starving; she can feel herself growing thin, can feel her ribs sticking out when she presses her fingers to her ribcage through the thin muslin shirt on her back. After over a month of not eating properly, it's a miracle she's still alive. Her sponsors have helped a little, but it's hard to make a two-day supply of food stretch when all you want to do is gobble it down. The castle banquets have grown more and more meager as the weeks stretched on, but it's her last hope to find a meal this week, so Anna decides to go ahead and try it one more time.
Except on her way through the village, gaze set on the imposing stone walls of the castle, she catches a glimpse of something very odd: a pure red horse, tramping the muddy ground with its hooves and snorting in rage. And it ignites something in her; suddenly her empty belly is forgotten, and she's filled with an aggression that's almost blinding--it clouds her judgment, makes her forget that the only weapon she has is a knife and a shard of broken glass and her own two hands.
So she redoubles her pace toward the castle. There are only so many Tributes left; it's nigh time she found some of them and helped to thin out the herd. She's going to end this, she's a one-woman machine. And when she reaches the castle, she doesn't go straight in; her hunger is forgotten. Now, she's waiting for anyone else who might be venturing inside. She's crouched by the entrance with a knife in hand when she spots Arya. Slowly, Anna rises, not wanting to be noticed quite yet, but this younger girl may be more observant than she's bargaining for.
no subject
no subject
no subject
"I'm sorry ... I have to."
no subject
She could run, but what good would that do? It would only make her look cowardly, and this girl can probably run faster than Anna anyway, from the looks of her.
So Anna holds up her knife at waist level, ready to stab. "I'm sorry, too," she says softly, wishing there was more conviction behind it, and lurches forward, knife outstretched.
no subject
no subject
The mace catches Anna in the ribs; she cries out again, the wind knocked out of her as she stumbles and falls, legs tangling underneath her. She's pretty sure she's sprained something in her foot, but she can't concentrate too hard on that between the blinding pain in her ribs and the looming threat of the mace. Her arms slashes out wildly, hoping to connect with something, anything, but even in the back of her mind she's admitted that it's too little, too late.
no subject
She grits her teeth tightly together as she raises the mace high above her, bringing it down in a heavy swing toward Anna's head, trying to avoid looking at her, at seeing Sansa before her instead of a complete stranger, as she delivers the final blow.
no subject
So she merely watches as Arya brings the mace down on her head, noticing at the last moment how she looks away like she can't bear to watch, before everything is bright, white light and pain and then nothing. Blissful, empty nothing, her body sprawled across the draw-bridge, dark blood seeping from her head.
no subject
He hadn't seen anyone for a day or so, which was fine - all he cared about now was surviving as long as he could. He was realistic - arriving so late, with no support behind him, and no biotics, no weapons... he had little chance. Survival was all that mattered, a chance to regroup, to rethink.
And so he'd taken to the forest; it seems the logical place to ensure he stayed safe as long as possible.
no subject
Poor bastard doesn't know what has hit him yet...
Still, he wasn't down and out yet. His biotics had worked once, over at the castle, so he was relatively confident of them holding up - a barrier would buy him time to compensate for being weaponless still.
no subject
no subject
Shit.
His gaze darted about looking for any avenue for escape, anything that would help him.
no subject
no subject
no subject
no subject
Way to find out that he was wrong.
He desperately tried to throw the weight off, throwing himself against a tree, in an attempt to dislodge her from his shoulders, but suddenly all went dark as he felt an incredible pain, more intense than his migraines at their worst. He didn't even have time to react.
He sank to the ground, trying to fight through it, but only managing to vaguely raise his head from the ground.
no subject
no subject
no subject
no subject
open; week 7
What's she doing in the forest? Tess is starving, worse than she remembers ever being hungry in Boston, the rations there being restrictive from the military from nearly beginning to end, and that had been part of her reasoning to deal with the smuggling business. Thin, bony, she's been losing meat fast on her bones, her cheeks hollowing. Sleep has been hell for her on and off throughout the weeks with her ankle being broken, never able to find a comfortable position, the ache dull and a constant reminder.
"Dammit Joel," she mutters to no one but herself as she hops along, dirt and leaves kicked up with her sluggish movements. Not like there's anyone really left who would hear her. "Should've left me like I told you to. Just couldn't listen, never did. Asshole."
no subject
"You know Joel? Is he all right?"
Even before the words are out of her mouth she knows he must be dead.
no subject
Tess shakes her head and leans against the crutch, wincing as she takes some more weight off her injured ankle. "Bastard's long gone. Probably enjoying himself a good steak and some of that coffee he likes so much."
no subject
She still looks unhappy about Joel, though, and it's enough to distract her attention for the moment. "How did he die? Who did it?" She sounds more curious than upset.
no subject
Switching back to the Joel topic doesn't widen the smirk, instead it slowly flattens out. Tess shakes her head. "Couldn't see, everything was happening all at once. Knew he was there with me but sometimes they're right when they say it's better not to let anyone you're with out of your sight."
And that's when Shepard had stepped in to help. Tess doesn't know where she would've been now if Shepard hadn't been there, probably dead, probably back in the Capitol with Joel and glued to the television watching Shepard's race to the end.
"How do you know him?"
no subject
She leans back against the trunk, swinging her legs out into the air beneath her. "He's looked out for me, in the Capitol. He introduced me to cheeseburgers."