justoutrunyou: (you people are morons)
Cassandra "Sandy" Marko ([personal profile] justoutrunyou) wrote in [community profile] thearena2014-05-22 05:05 pm

Give yourself to the nothingness - Week 1

Who: Sandy, NPC Pruna and Shepard
What: They finally ambush Shepard and karma rewards them accordingly
Where: One of the houses just off the main street.
When: Week 1
Notes: Death, violence, cursing, Quick time events

The scent of rotted wood and dust was so irritating to Sandy that she had pulled up her windbreaker to cover her mouth and nose as she lay on her back in the old house she and Pruna had claimed for themselves.

In a rare stroke of luck Sandy and Pruna had reunited after the initial rush at the cornucopia. Pruna had come up empty handed but Sandy was willing to share her supplies of course. They had sought out shelter in one of the houses and after checking for bugs, the upstairs seemed the safest place to rest and let time pass. As usual Pruna wanted to seek out other tributes but loyally stood by Sandy's side.

The house reminded Sandy of many of the older buildings she had explored growing up in the bad neighborhoods around her apartment. A hint of danger, a sense of history. This house was practically alive with what it had seen in it's glory days.

...at least that was how it felt. For all Sandy knew the Capitol had built this house from scratch and prepared it exactly for the purpose of evoking such emotions.

It was a safe place for now, who knew how long that would last.

In the arena, safety was always fleeting.
earthborn: (not the ugliest of things)

[personal profile] earthborn 2014-05-27 08:18 pm (UTC)(link)
Stealth was the kind of thing that required luck and forethought both. It helped if you could react quickly, of course, think on your toes and shorten the tedious planning stages down to a split-second decision and a mad dash. Shepard was good at thinking on her feet, passable at forethought, and had truly remarkable luck. What she didn't have was the most important tool in stealth's pockets: patience.

Creak, crick, croak!

The house was old and the wood was moldy, full of complaining boards and mushy spots that bespoke worse damage below-decks. Far from just looking bad, the house had cancer in its bones, mush or termites, or some Gamemaker trick as yet unthoughtof by the mercifully uncaring hand of nature. Shepard stalked across the ground floor like an unsubtle cat, in search of supplies or targets, hiding in the rotten shadows.
earthborn: (win and then go to war)

fifty wrestling matches with my screen later . . .

[personal profile] earthborn 2014-05-28 03:14 am (UTC)(link)
Shepard glanced up, frozen still as stone and just as wary. Maybe it had been the wind, or the unbalanced house-frame shifting under unused-to weight. Or maybe there was a rabid dog up there as there had been in the streets outside.

...or maybe there was a Tribute.

There was an answering creak up ahead, as something in the floor— the ceiling, rather, groaned, as full-throated with dismay as if the house really had been alive. Shepard put her hand on a wallthat might once have been papered in a pastoral-print, and watched the ceiling as if she could see right through it to the other side. A bit of dust drifted down into her eyes and made the decision for her; all half-formed supposition of stealth forgotten, Jane strode towards the stairway. Commander Shepard didn't hesitate and she sure as hell didn't get intimidated by ghosts in the damn attic.
earthborn: (knows when she can and cannot fight)

thank you <3 Still getting used to this new beast, though.

[personal profile] earthborn 2014-05-29 02:59 am (UTC)(link)
Oh, you have got to be kidding me, was Shepard's only thought as the ceiling sagged, an alarmingly organic bellying of wood, dirt, and an artfully ominous chorus of groans. She had just enough time to realize what was happening before it happened; nothing that happens in the arena is any good kind of remarkable.

There was a tumbling, and darkness, an immense sense of pressure that then shifted. Shepard felt a sharp pain run up her side; a pulled muscle or a cracked rib? No time for answers, and no time to indulge her treacherous, pained body: the damn roof had just fallen in. She took a breath, then another, then pushed with both legs and the strained and screaming strength of her back against the moldy beam that had pinned her. It shifted first, although it cost her a scream to do it, and left her limp with exhaustion and painfully vulnerable.

The house looked like a shelled hull, the entire second floor sagging towards the hole, with bits still sliding and falling as their individual physics demanded it. And there, on a rough patch of almost intact floor, she saw none other than Sandy Marko, and the girl they called Pruna.

Shepard did not get up; she just lay there and goggled, choking on the dust until she could speak.

"Okay. Full marks this time. You got me."
earthborn: (regard your soldiers as children)

[personal profile] earthborn 2014-05-30 01:50 am (UTC)(link)
"Wait, d--" Shepard stopped halfway through a placating gesture with a wince for the fire in her side. That. Was definitely a rib. Ouch.

And then the floor spoke, and her grimace was for another reason. The ceiling couldn't bear the weight of two running children in some places, clearly. Why would the floor be able to hold the weight of the entire upper storey?

"...easy. Easy, now," Something shifted below them, there was a rattling sound, and then a clunk, as if some part of the cracked and creaking house had fallen away into a lower place and struck stone, or concrete, "Okay. Sandy, you first. Slowly, towards the door. Kid? You next."

If the house would give them a little time, then this could still come out reasonably aright.
earthborn: (knows when she can and cannot fight)

[personal profile] earthborn 2014-06-06 01:57 pm (UTC)(link)
The house settled on its haunches like an old dog laying down to die. There was darkness below, a version of hell as the greeks had seen it, darkness and cold. The spiders were new.

Pruna slid past her, unsteady with her injured leg; you could banish the pain, but the wound was still real. Shepard made a gab for it, but only managed to snag Sandy. She hauled her up bodily, and scrambled like a pyjack, half-dragging, half-throwing the young Miss Marko to be sure she made it out even as the floor disintegration beneath their feet. She could only hope Pruna was behind her.

Dim grey light filtered down as the roof wobbled and gave way, spotlighting the long, deadly slide from ruined first floor into basement. Oh yes, and the spiders.

There were hundreds of them, enormous beasts with impractically large fangs like something out of a horror vid, but no less deadly for their general implausibility. Here and there among them, pale, half-humanoid shapes rolled and gibbered, turning their heads and what might pass for faces towards the potential for a meal. Shepard considered the whole of the situation in a single glance with the experience of decades behind it.

"Fuck."
earthborn: (patience is a virtue)

[personal profile] earthborn 2014-07-02 05:31 am (UTC)(link)
Shepard hauled herself over a crumbling precipice with the memories of Thessia screaming, unheeded, from the sidelines. No point in worrying about anything but the next half-heartbeat of time, the next breath of dusty air, the next handhold or...

ASHLEY

Dammit, Sandy, as if they hadn't enough trouble. Shepard guessed what was happening behind her without looking, and caught Sandy up in passing. The girl was just a ripple in the adrenaline-haze, almost nothing against her shoulder, but the weight was too much and she felt the wood give like soft cheese as she scrambled to run. Shepard didn't stop until she felt solid ground under her feet; only then could she look back and see the basement of the house like a yawning, tooth-edged pit, and the writhing crowd of monsters down its throat.

And the last few minutes of Pruna's life as she fought with broken bones and streaming red skin against that horde. In a moment she would go down and then their attention would shift. There was no time to watch, and nothing they could do.

"It's time to go."