there is nothing more deceptive
Who| sherlock holmes & open.
What| an arrival, an exploration, perhaps more than one encounter.
Where| the basement & fourth floor.
When| the beginning of week 5.
Warnings/Notes| to be added as needed.
( ooc: feel free to encounter him at any point; i'll edit things if anything major occurs. i have a permissions post for deductions here, if there's anything you think i/sherlock should know. and if you'd like any more specific scenarios or want to plot a bit further, please let me know. )
What| an arrival, an exploration, perhaps more than one encounter.
Where| the basement & fourth floor.
When| the beginning of week 5.
Warnings/Notes| to be added as needed.
His first thought is that the entire situation is ludicrous. The outfits, the setting, the very premise. After entering the arena, Sherlock’s first thought is to wrap his head around the entirety of the situation, but that proves easier thought of than done. He takes to rubbing his forearm where the tracker had been implanted, a gesture he knows comes off as a nervous tick but one that he can’t help.
The need for cover doesn’t seem real to him, yet, but he bets on the fact that the explanation he was given was true. So when he finds an overturned car in the basement, he ducks around it for a moment. He tries to take stock, listens carefully. If he hears anyone approach, he’ll try to observe them before making himself known. He isn’t much of a runner, but he’s counting on his ability to distract if it comes down to it.
--
A little while later he can be found at one of the doors to the staircases. He knows that the elevators would be faster, but they’re also more easily controlled. He doesn’t have any of his lock-picking tools with him, but he’s good at improvising. So for several long minutes, Sherlock toys with the locks with bits of thin rubble, trying to rig them open.
He looks as though his concentration on the lock is absolute; he doesn’t turn his head or even pause. But his senses are acute, trained to notice if anyone comes at him. He knows of his own tendency to get lost in his own head, and so tries his utmost to be as alert as he can.
--
And finally, he’ll grow tired of the door’s lock and abandon it. That’s a tough pill for him to swallow—failing at something—but compared to all else going on around him, it’s the smallest on his list of grievances. Instead, now, he turns to the elevators and picks a random number once he’s inside.
He ends up on the fourth floor. He lifts a brow, as he prepares to exit the elevator. A museum. He supposes that’s fitting, given the atmosphere of the arena. A museum is a place of past spectacle. They’ve just now combined it with a live, present one. It’s almost too fitting, in a campy way that makes him feel like he’s being mocked. But he takes a deep breath, rubs at his arm again, and prepares to explore.
( ooc: feel free to encounter him at any point; i'll edit things if anything major occurs. i have a permissions post for deductions here, if there's anything you think i/sherlock should know. and if you'd like any more specific scenarios or want to plot a bit further, please let me know. )
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Finally, he lowers the crowbar, enough to inspect the bite. It's not bad - just hurts like hell, the way Joel's hands are already messed up from the sprinklers.
"Unless you got a death wish, I don't recommend you go around bitin' strangers, even in this hellhole," he says coldly. He'll need to re-wash the hand and change the bandage, too, and he has limited gauze.
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He glances at the crowbar, lifts his chin a bit. “Bludgeoning seems a particularly brutal way to do away with your competition. I imagine that’s not your preference.”
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"I'm not competing, just tryin' to stay alive. And I don't have preferences. I use what I got, and do what I have to do."
With that, he crouches down to dig out what's left of the first aid kits he's got, to deal with his hand. "Before you bit me, I was gonna ask if you had food, or if you needed some."
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"A very pragmatic approach. But if the end result is a death toll of all but one, I can't imagine it makes much difference." He's not judging, exactly. He hasn't self-examined his own capacity to kill that thoroughly, yet.
But eventually he just shrugs. "It hasn't been my primary priority." Because he's been more concerned with learning as much as he can about this place. Food has always been a bit of a inconvenience to him, in any case. "But I suppose I will, eventually."
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Of course he'd grab the newbie, with nothing but the clothes on his back. Jesus.
"Food should be your priority now," he points out after a moment, carefully dabbing his hand with what's left of the antibiotic ointment. It's awkward, but he manages. They're a lot better now than they were when he first got hit with the dry ice. "Cafeteria is gone - it was on the third floor, and it was a death trap even before the volcano blew. Second floor's pretty much a wash, too, if you haven't figured that out, yet. Cafe down on the first floor might still have somethin' edible - if you're lucky. But not for long. Everyone left is gonna be real hungry, real soon, if this keeps up."
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"Then I suppose we'll just start eating each other. History repeats it's train of human depravity." Because that's the point of this, isn't it? To push people to their worst? At least, he assumes so. Why else would they be monitored, challenged to kill one another?
He watches carefully as Joel tends to his hand. It wasn't hard to tell that it was injured, but he'd reacted as he'd had to. Even now, his mind jots down the other man's weaknesses-- the injured hand, the aversion to bites.
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"If that's a joke, it ain't funny," he says after a moment, though his tone is neutral. "Besides, there's at least one infected here that I know of. No sense riskin' it. There are things worse than starving to death."
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He speaks with uneven pacing and volume, his voice going up and down and ringing particularly triumphant when he says something he knows to be true.
“Wore things—such as having to kill? Or perhaps dying in a more debilitating fashion. Most would prefer to go fast, all things considered. And starvation is painfully, bitterly slow.”
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"Starving to death is still death. It's still better than bein' infected. Losing your mind, the fungus eatin' away at your brain, drivin' you to kill the people you once cared about. You become a shell - just a thing, to spread the infection further.
"So yeah, starvation is pretty bad, but there are worse things. And I really wouldn't go around bitin' anyone else."
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Something clicks, and the words spill out of Sherlock’s mouth before he even thinks about them. “You thought I was a zombie.” It’s a combination of ludicrous, fascinating, and insulting. But it does make everything he’s observed about Joel make more sense.
“Your advice is noted, if somewhat belated.”
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Either she's waiting for him in the Capitol, or not.
"You got a name, just in case I need to curse it when the Cordyceps turns my brain to mush?" It's kind of a half-assed joke, but it's the best he'll get for now.
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“It can’t be easy to do that properly with one hand. Let me.”
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Finally, he hands over the bandage and offers the other man his injured, blistered hand - it's healing, but it still looks pretty ugly.
"Joel," he finally offers. "My name's Joel. And, uh. Watch the sprinklers. They don't spit water. They spit dry ice." Hence, his injured hands.
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“I appreciate the warning, Joel.” He seems like a good man, and Sherlock does regret the circumstances of their meeting. “If it wouldn’t put you at too much a disadvantage, would you answer a question for me?”
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"Shoot," he says with a shrug. He's not really too concerned about giving others an advantage over him. A guy who bandages your hand is probably not gonna turn around and kill you in the next breath. It's a total waste of effort.
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Maybe.
"Got here a few weeks ago," he says by way of response. "I hear every arena's different. Someone told me the last one was a jungle. With dinosaurs. Living ones. But this is the only one I've seen, personally."
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He can't believe it. But everyone seems so convinced. Of course, they are probably not as smart as he is.
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"No," he growls out. For a moment, he doesn't intend to say more. But somehow, on some level, he gets that this guy is asking the same question that's burning through his mind right now.
He can't answer it, but he can offer something up. Even if it's personal.
"I lost someone I cared about," he finally said, hesitantly, picking his words with care. "I was there when she died. Then some machine snatched her body away. Few days later, I got a package of food, with a note. Supposedly from her."
Even saying that much - to a perfect stranger - feels like it's being ripped out of him with knives. "She believed it. Told me she'd died before, and come back."
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"If you have faith in her, then I assume you'll take her words at value. Given this place, it isn't an entirely horrible assumption. At least, until proven otherwise."
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He pauses another moment, and then offers one more thing:
"Back before we - came here. She drowned. She couldn't swim, and she got pulled under, and I pulled her out. I was tryin' to bring her back, but she wasn't breathin'. I got knocked out, and that's the last thing I remember, until I showed up here, and she was fine. So... Take that however you like."
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Ellie had enough hope for the both of them, really.
"Our odds were never good," he finally points out. "Even before we showed up here. Thanks for the help, though." Even if he was the cause of it.
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He shrugs off the thanks. "I should thank you for not trying to murder me horrendously for a televised audience." He doesn't say that he thinks he could've maneuvered his way out of a situation like that.
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He glances at Sherlock at his final statement, though, and brushes it off with a grimace. "That ain't what I do. Not for an audience, not for fun, not because I can. I kill if I have to, to stay alive. That's all."
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