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WHO| Aunamee, Eponine, Howard, Maximus, Wyatt
WHAT| Aunamee has captured Howard. Eponine wants to see.
WHERE| The jungle.
WHEN| Early week 8
Notes/Warnings| Death, emotional manipulation, kidnapping.
Aunamee doesn't keep Howard tied up, not during the day. It would be unnecessarily cruel, says the voice in his head that he still listens to, the one that doesn't moan or scream or spit smoke like an incomplete dragon. He keeps the boy captive with intangible threats, words unsaid, eye contact that lasts far too long. He keeps the boy captive because he keeps the supplies hidden and the future uncertain. He keeps the boy captive because of the long knife strapped to his belt.
He ties Howard up at night because he's not an idiot. This is when he returns to Eponine's camp. This is when he sleeps.
'When the cat is away, the rats will dance,' said his hallucination. It fumbled over the idiom like a dreamer tying his shoes.
Aunamee does not fumble. Does not fail.
But maybe he will make some rats dance.
WHAT| Aunamee has captured Howard. Eponine wants to see.
WHERE| The jungle.
WHEN| Early week 8
Notes/Warnings| Death, emotional manipulation, kidnapping.
Aunamee doesn't keep Howard tied up, not during the day. It would be unnecessarily cruel, says the voice in his head that he still listens to, the one that doesn't moan or scream or spit smoke like an incomplete dragon. He keeps the boy captive with intangible threats, words unsaid, eye contact that lasts far too long. He keeps the boy captive because he keeps the supplies hidden and the future uncertain. He keeps the boy captive because of the long knife strapped to his belt.
He ties Howard up at night because he's not an idiot. This is when he returns to Eponine's camp. This is when he sleeps.
'When the cat is away, the rats will dance,' said his hallucination. It fumbled over the idiom like a dreamer tying his shoes.
Aunamee does not fumble. Does not fail.
But maybe he will make some rats dance.

Howard and Aunamee
Re: Howard and Aunamee
I wish I didn't have to go so far to protect you.
Howard no longer doubts that the danger Aunamee's protecting him from must be an awful one indeed. He finds his mind heading into ditches, filling with an inexplicable dread that the world is ending, that reality is fading away, that Aunamee ties him to a tree at night not to prevent him escaping but to prevent him sliding through the dimensions of this world to another. Object permanence starts to fade, and he finds himself looking at the same trees that he's been looking at for six hours as if someone just planted them there between blinks. When he's not looking straight at it, he's sure the moon disappears.
Keep it together, he says to himself.
Who cares? the fear says back. And eventually he has to agree.
Aunamee ties him at night with his own rope and strips of his tent. The first night he struggled - his wrists are still swollen and purple from the attempt. But he hasn't tried the rest of the time. He knows he won't get far, deep down. He knows he's only being protected from having to be dragged back kicking and screaming and thrashing.
So he lays in the dirt, bound at his wrists and feet, and waits. Just like he did yesterday, and the day before that, with exhaustion buzzing inside his skull and fear heady in his lungs.
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"How are you, my dear friend?"
His words are soft and fatherly. The boy is sick, and he is here to cure his sickness. That lie thrums in his body like a heartbeat, and he believes its inherent truth like his own heartbeat as well. Aunamee once fed on confidence, but now he feeds on delusion. They both taste so sickly sweet.
He kneels down and begins to untie the knots, precise and methodical, his fingers occasionally brushing against Howard's arms in comforting little strokes.
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He's grateful that the fear of the unknown is getting replaced by the more concrete fear of the creature who calls himself a helping, saving, merciful man. Somehow he knows Aunamee will protect him from the cries and rustles in the woods. Aunamee's saving him all for himself.
It doesn't stop him cringing whenever Aunamee strokes his arm a little too long, but it also doesn't stop him wanting the comforting gestures again. And again. He sits up and the world seems to drag itself into alignment, rather than snapping into place automatically.
"Hungry. Sore. I threw up again." He holds his hands out once they're unbound. Some of the bruises on his wrists are fading from purple to brown, and the flesh on one is so swollen that it could almost hide the malnutrition. His feet are in a slightly better state, but not enough that standing is easy, so he stays seated.
He's so tired he's vibrating. "Where do you go during the day?"
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"I look for food," he says easily, truthfully. He wipes sweat from his brow with the hand that holds the lid, and for a moment, the tin catches in the sun, bright and brilliant. Like a camera flash. "Water." He applies the ointment to Howard's wrists with the same amount of precision, making sure the application is even on both sides, that every bruise is covered. "Supplies."
Aunamee is not as sickly as he was when he first encountered Howard, but he certainly isn't well. The skin around his eyes is dark like eggplants. He has new scabs on the palms his hands. He has lacerations in his scalp that bleed on and off. Patches of his hair are missing.
He moves down to the bruises around Howard's ankles.
"Can you eat?"
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It rains every few hours still, and Howard lets his clothes soak and then sucks the water out of them. He makes little whimpering noises as Aunamee rubs the ointment in, wondering if it's real or just a paranoid delusion that Aunamee's pressing a little harder than necessary.
Somehow, in spite of him registering somewhere in his head that Aunamee looks like hell, the bruises and sallowness and pocked scalp seem to flake away in his vision. Aunamee's untouchable, and Aunamee always comes back for him. He's the only one who does, Aunamee reminds him, sometimes without words.
Yet when Howard sleeps he wakes up mumbling for Wyatt and John and Sigma, and their absence hits him like a gust of cold air.
"What're you going to do when it's just us left?"
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Some people in the arena might not even think about this. Every dusk and dawn is a victory because every dusk and dawn is an uncertainty. These people move as though their future is blurred, but Aunamee, oh, Aunamee always plans. Aunamee always sees.
(-- and yet there's still a wink of a hesitation, a wink of doubt, but no, he doesn't -- he wouldn't --)
He finishes applying the ointment to Howard's legs and straightens his back. No. He knows what his future holds. (How can he doubt that?) Howard will die, but he won't let it happen at the end, and he won't do it himself. Someone will find Howard and kill him, and when they do, Aunamee will be there to hold Howard's dying form until the lights go out.
Just like Wyatt did.
"We are certainly getting water," he says, letting Howard's question slip into the ether. "I never thought I'd be so happy for rain. Then again, when I was a boy, I liked what it did to the crowds. You could always--" He frames his hands in the sky, then shrinks that frame bit by bit. "You could always find the families because of the way they huddled."
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But he doesn't forget that he asked, and he doesn't forget that Aunamee didn't answer.
"There wasn't no rain back in the FAYZ." He suspects Aunamee tells him stories about families just to underscore the absence of his.
He tilts his eyes up, but the skies are clear right now. His clothes are as damp from sweat as they are from the rest of the rain. He tries to get up again, topples back down again. He knows he should move, should keep the blood moving around, but he's too weak. "What you got, foodwise?"
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"I'm sure you huddled together in your own ways," he says.
Like now goes unspoken. Like you and me right now.
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Aunamee and Eponine
Re: Aunamee and Eponine
But still, she trudges after Aunamee.
He's a friend to her, Aunamee. He's a friend and he wants to help her. He's not bad, like Howard said. There's nothing to fear, as Orc seems to think. Stupid boys. And, having lost Eva, and with Sigma dead, Aunamee is her closest ally in the arena. So she follows him through the jungle, leaning heavily on her crutches. For ages and ages, she simply accepts without questioning; what does it matter where they are going?
But at last, exhausted from forcing her legs to move, and quite dizzy, she has to lean against a convenient rock.
"Please -" Her voice is hoarse. "Please. Where do we go?"
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When Eponine stops, he stops too, secretly thankful.
(So secretly thankful, he doesn't even admit it to himself.)
"Nowhere," he says. "Not now."
He turns back to face her, this poor, desperate girl. Aunamee thinks of Eponine as a friend as well, although it's in the same strange way he thinks of friends in general, like prized dolls. Or kindling. He touches her shoulder.
"You're going to rest," he says, "and then I'm going to tell you a secret."
Even the word, secret, gives him goosebumps. It is so nice, feeling excited for something.
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"Tell me, Sir, do. Please tell me. I promise I will not tell a soul - only, you must whisper to me, because these nasty Capitol cameras will hear if you do not. Tell me a secret now!"
She's excited; she has no idea what to expect: perhaps he has found chocolate or ice cream - oh, but no. He would not share with her. Or perhaps money, or a way out, or - or - or she doesn't know. She pushes her hair away from her ear, though, that she might hear better.
"Come, say what it is. I do not need a rest."
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A half sleeve of crackers.
He tosses them to her, a soft lob aimed for her chest where she's more likely to catch it. It's several days worth of rations, enough to make up for all those secret bites he took on his own. Perhaps the Capitol wanted to show footage of Aunamee greedily taking everything, stealing the food from his reluctant and not-so-reluctant partners. Now they will see that he does not do things like that. Now they will see that he's Fair.
"And you'll eat."
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And then he throws her crackers, and Eponine, even fumbling the catch, manages to clutch the packet to her chest. When she realises what she's holding, she almost falls over, so shocked, so overwhelmed is she.
"Where did you get them from? I thought - and I have been so hungry. Sir, are you sure you can spare one?"
But even as she asks, she's reaching into the packet to grab a cracker and stuff it into her mouth.
"They're dry as anything, but OH - food is glorious. Sir, might I have another?" But she's already munching anyway, as fast as she can to get as many into her belly as she can before Aunamee changes his mind.
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She will kill him, if she can. She will kill him or bring him to his knees.
"Howard."
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The crackers slip from her fingers, and fall into the grass, but Eponine doesn't bend to pick them up. Instead, she stares at Aunamee. She can feel her blood pounding in her veins suddenly; she almost fancies she can see her skin pulsing in her peripheral vision. But the thought is transitory. She doesn't even realise she's thought it, until she reflects, later, on this conversation.
"Howard, Monsieur? You are meeting Howard? Is that where you have been going? Why? You said - you said - why did you not tell me where that horrible boy is?"
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Everyone else
Re: Everyone else
Her skin is greyish beneath the dirt of the arena, and her hair, still half-braided from Eva, is wild and greasy now. In her emaciated face, her bloodshot eyes seem to bulge and the sores around her parched mouth are an angry red.
She had planned so much to say. She had thought and thought about finding Howard here, what she'd say and what she'd do. She had decided on a good, sharp slap, should she had her chance.
But now, face to face with this desperate, scrawny, smelly, scared little boy, Eponine can't move. Can't yell, or slap. For a while, she simply stares. And then after a minute, she begins, so quietly, to laugh, her low guttural chuckles becoming louder and louder, crashing across the short distance between them.
Re: Everyone else
Eponine, nearly as disheveled and pathetic-looking as he is, is not who he expects. He sits up. His wrists and feet are still bound, the latter roped around the tree.
"Eps?" He wonders if he's hallucinating for a moment. His grasp on what is and isn't happening has been tenuous for the last few days. He blinks and rubs his eyes against the dirty shirt on his shoulder. His voice is a dry, trembling whisper. "Why are you...?"
Re: Everyone else
She edged closer and closer, leaning heavily on her crutches. But when she was perhaps a meter away, she dropped her crutches and fell onto hands and knees so that she could meet him face to face.
"You're horrible, you know?" Her remark was quite casual.
Re: Everyone else
He wiggles in his bonds for the first time in days. He stops, whimpering slightly as the rope pushes too hard on his injured wrist. Aunamee is dreadful, but Eponine's wild and unpredictable, and at the moment that makes her - not more terrifying, but more of an immediate threat.
Anger over their last conversation soaks even over the urge to comfort her in the awful state she's in. He bares his teeth. "Got Aunamee to kidnap me so I'd love you again?"
Re: Everyone else
"It would be painless. Though you deserve it... Almost painless. We eat. Drink the arena and we will be together forever and as we always were."
Re: Everyone else
"You want us both to die? Is that where you're going with this?"
Re: Everyone else
She had always been good at lying, even to herself, though. She fancies a blink means 'yes - yes, take me to hell'.
"You would deserve a painful death, you know? If I was Montparnasse, you know what I would do? I would cut your wrists - so that they bleed, yes. But not so much that it was quick. I would -"
She reaches for his face again, stroking across Howard's cheekbone, before digging her nails in and yanking them down as hard as she could.
"And I would take your heart, Monsieur, as you have taken mine, and I would throw it away. As you have done to me. I won't forget that, you know?"
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