First, she gets shoved into a ridiculously impractical aqua-colored dress like she's freaking Cinderella herself, and then on the ride to the surface she realizes that she's been thrown into a post-apocalyptic Disney Land. Great. She vaguely remembers the trip to Disney World she took when she first came to the states, but this is just... wrong. On so many levels.
One look at Eliot on his pedestal is enough to make her feel less ridiculous - at least she's not bright orange like a hunter in the woods, sticking out like a sore thumb. Having been taken out so easily last arena during the Cornucopia bloodbath, she decides not to go for any supplies.
3...2...1... BOOM.
While the other Tributes are bolting off of their pedestals in the usual flurry of fear and determination, Anna steps off casually and keeps watch vigilantly for Eliot, Parker, Howard, and Donatello. It's not until she nearly gets her head taken off in the fray that she decides to make a run for it - towards Tomorrowland with Space Mountain in mind for cover.
She'll have to regroup and hope that Eliot and Parker can find her.
anna morasca | ota | heading towards tomorrowland
One look at Eliot on his pedestal is enough to make her feel less ridiculous - at least she's not bright orange like a hunter in the woods, sticking out like a sore thumb. Having been taken out so easily last arena during the Cornucopia bloodbath, she decides not to go for any supplies.
3...2...1... BOOM.
While the other Tributes are bolting off of their pedestals in the usual flurry of fear and determination, Anna steps off casually and keeps watch vigilantly for Eliot, Parker, Howard, and Donatello. It's not until she nearly gets her head taken off in the fray that she decides to make a run for it - towards Tomorrowland with Space Mountain in mind for cover.
She'll have to regroup and hope that Eliot and Parker can find her.